{"title":"All Classes","description":"\u003cp\u003e\u003cimg style=\"float: left;\" height=\"539\" width=\"793\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/IMG_7289-1568x1045_480x480.jpg?v=1574277737\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCenter for Book Arts’ Education Program strives to engage a wide audience, providing beginning students and professional artists alike with a comprehensive and technically challenging curriculum.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to foundation coursework in letterpress printing, bookbinding, risograph, and works on paper, we provide structured opportunities for working artists from other media to expand their creative practice in bookmaking.\u003c\/p\u003e\n\u003cp\u003eTo schedule a \u003cstrong\u003egroup workshop\u003c\/strong\u003e, fill out a request \u003cstrong\u003e\u003ca href=\"https:\/\/www.wrike.com\/frontend\/requestforms\/index.html?token=eyJhY2NvdW50SWQiOjI0NzM1MjAsInRhc2tGb3JtSWQiOjIyMDc5OX0JNDcyNDA3NDgxOTcyOQkxN2Y2NjY3MWY2ZmEzY2MyYmU5NzUyNTZlYWIzMTMzMjI4MDYzZGU5MzIzYWI4ZjdiNjJiNWJiYzhkY2QyZDlh\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eTo schedule a \u003cstrong\u003eprivate lesson\u003c\/strong\u003e, fill out a request \u003cstrong\u003e\u003ca href=\"https:\/\/www.wrike.com\/form\/eyJhY2NvdW50SWQiOjI0NzM1MjAsInRhc2tGb3JtSWQiOjI1OTI4Nn0JNDcyNDA3NTU2NDY4OAllMmVlYzAxZmFiMTFjOWY3OTU2MjY0OTA2ZDk3M2MxNzllMzNjMWIzYWRkOTRlZjJlYWZmNTczMDQ1OTE5MmYz\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e. \u003c\/p\u003e\n\u003cp\u003eMembers of the Center receive discounts on all classes. \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/centerforbookarts.org\/support\/\" target=\"_blank\"\u003e\u003cstrong\u003eBecome a member today!\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"conservation-enclosures","title":"Conservation Enclosures","description":"\u003ch4\u003eCourse Code: 25SBM000I\u003c\/h4\u003e\r\n\u003ch3\u003eThis one-day, in-person workshop takes place at CBA on Saturday, January 25th, 2025 from 11:00 AM–5:00 PM ET.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eSaturday, January 25th, 11:00 AM to 5:00 PM ET\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cem\u003ePlease Note: Registration for this workshop closes on January 11th, 2025 at 11:59 pm.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis in-person class at Center for Book Arts is taught by instructor \u003c\/span\u003e\u003ca href=\"https:\/\/centerforbookarts.org\/people\/maria-g-pisano\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eMaria G. Pisano\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eProtective enclosures are made to support and protect your books from environmental damages.  Additionally for the artist they can also serve as an extension of their book to enhance their presentation and provide another surface where one can customize the box to reflect the contents.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLearn to make two archival enclosures that enable you to store your books in an acid free protective environment. We will make the archival phase box enclosure used by the Library of Congress, as an alternative to the clamshell box and a self-closing wrapper.  The class will cover do’s and don’ts in conservation enclosures and materials, show examples of damages from bad conservation practices along with learning to measure for custom fit, creating jigs, adhesives, and other helpful hints. For the book artist, librarian and collector. No experience necessary, just come with your books.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBring 2 books you want to make enclosures for:\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA soft cover book\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA hard cover book \u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAdditionally each participant should have the basic conservation tools below\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli style=\"font-weight: 400;\" aria-level=\"2\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA small breakaway knife\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"font-weight: 400;\" aria-level=\"2\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ea bonefolder\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"font-weight: 400;\" aria-level=\"2\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eplastic or metal triangle\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"font-weight: 400;\" aria-level=\"2\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ea microspatula\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"font-weight: 400;\" aria-level=\"2\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e1” glue brush\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Maria G. Pisano\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-g-pisano\"\u003eMaria G. Pisano\u003c\/a\u003e (she\/her) is a book artist, printmaker, curator and educator. Memory Press works are represented in The Library of Congress, 9-11 Memorial Museum, National Library of Medicine, Columbia University, NY Public Library and many more. Currently her book Caudex Folium is in the exhibit “\u003cem\u003eTowers Rising\u003c\/em\u003e\u003cstrong\u003e“\u003c\/strong\u003e, at the 9-11 Memorial Museum in NYC, and in 2022 her work was in “\u003cem\u003eAnd Yet We Rise: A Retrospect of the Days and Times Surrounding 9\/11\u003c\/em\u003e″ at the American Consulate in London. She has curated a number exhibits including \u003ca href=\"http:\/\/centerforbookarts.org\/book-as-witness-the-artists-response-exhibition\"\u003e\u003cem\u003eBook as Witness: The Artist’s Response\u003c\/em\u003e\u003c\/a\u003e at CBA in NYC and \u003cem\u003eCrossroads: Book Artists’ Impassioned Responses to Immigration, Human Rights and Our Environment,\u003c\/em\u003e at the Hunterdon Museum of Art, NJ. Ms. Pisano contributes to book arts publications and has presented lectures at the Library of Congress, College Book Arts Association and the Art Libraries Society of North America. Her article “\u003cem\u003eMark To Impress\u003c\/em\u003e” was published in California Society of Printmakers and The Blue Notebook in the UK. She continuously gives workshops nationally and internationally, at her studio, libraries and institutions such as Bridwell Library, TX, CBBAG and Center for Book Arts in NYC.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":19401209774149,"sku":"25SBM000I","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/a19df128-Pisano.M-_4Boxes.jpg?v=1751386926"},{"product_id":"vandertricks-letterpress-magic-fall-2021","title":"Vandertricks: Letterpress Magic (Fall 2021)","description":"\u003ch4\u003eCourse Code: 25MBB100V\u003c\/h4\u003e\r\n\u003ch3\u003eThis five-week, virtual workshop takes place on Zoom on Wednesdays, June 4th – July 2nd, 2025 from 6:00pm–9:00pm Eastern Time.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWednesday, June 4th, from 6PM to 9PM ET\u003c\/span\u003e\u003c\/li\u003e\r\n \t\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWednesday, June 11th, from 6PM to 9PM ET\u003c\/span\u003e\u003c\/li\u003e\r\n \t\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWednesday, June 18th, from 6PM to 9PM ET\u003c\/span\u003e\u003c\/li\u003e\r\n \t\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWednesday, June 25th, from 6PM to 9PM ET\u003c\/span\u003e\u003c\/li\u003e\r\n \t\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWednesday, July 2nd, from 6PM to 9PM ET\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on May 26th, at 11:59 pm.\u003c\/h3\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cspan style=\"font-weight: 400;\"\u003eWhile the art of bookbinding may seem daunting at first, there are some basic book structures that make entering the world of book arts fun and accessible. In this introductory class you will learn the basic use of bookbinding tools and materials, along with simple bookbinding structures that utilize softcovers.\u003c\/span\u003e\r\n\r\n\u003cspan style=\"font-weight: 400;\"\u003eStudents will learn about non-adhesive structures, bindings for single sheets, and other bindings that can be made with little specialized equipment. Accordions, pamphlets, drum leaf books, and a variety of softcover bindings will be taught during the course. This class is ideal for those who wish to learn simple forms for presenting work, or for building fundamental knowledge on bookbinding.\u003c\/span\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003ePencil and paper for note-taking\u003c\/li\u003e\r\n \t\u003cli\u003e\r\n\u003cdiv\u003eBookbinding awl\u003c\/div\u003e\n\u003c\/li\u003e\r\n \t\u003cli\u003e\r\n\u003cdiv\u003eBone folder\u003c\/div\u003e\n\u003c\/li\u003e\r\n \t\u003cli\u003e\u003ca href=\"https:\/\/www.dickblick.com\/products\/olfa-snap-off-blade-utility-knife\/?fromSearch=%2Fsearch%2F%3Fsearchword%3DOlfa%20cuting%20\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOlfa Snap-off Blade Utility Knife\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\r\n \t\u003cli\u003eBookbinding needles\u003c\/li\u003e\r\n \t\u003cli\u003eLinen thread\u003c\/li\u003e\r\n \t\u003cli\u003ePVA Adhesive\u003c\/li\u003e\r\n \t\u003cli\u003eText weight paper and colored cover-weight paper\u003c\/li\u003e\r\n \t\u003cli\u003eLarge mat for cutting\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cem\u003eA more detailed materials list will be sent upon registration. \u003c\/em\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003ca href=\"https:\/\/centerforbookarts.org\/people\/amber-braverman\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAmber Braverman\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e is the proprietor of Post Editions, a letterpress studio focused on collaboration with artists and writers.\u003c\/span\u003e\r\n\r\n\u003cspan style=\"font-weight: 400;\"\u003eAs an educator, Braverman hopes to share her passion for the craft of printmaking with her students. She has been teaching letterpress printing, image-making, and book forms at CBA since 2006.\u003c\/span\u003e\r\n\r\n\u003cspan style=\"font-weight: 400;\"\u003eShe began her journey into the world of book arts from a young age and studied letterpress printmaking through apprenticeship and job printing. She currently resides in Garrison, New York.  \u003c\/span\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060051271836,"sku":"C 2021-10-07 IP15","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/a922f91d-metalscreen_DikkoFaust_2013_9inx6in.jpg?v=1751390690"},{"product_id":"wood-type-t-shirts-on-the-washington-press-fall-2021","title":"Wood Type T-Shirts on the Washington Press (Fall 2021)","description":"\u003ch3\u003eThis workshop takes place over two in-person class sessions at CBA on Saturday \u0026amp; Sunday, October 9–10 from 11am–5pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eSat, Oct 9, 11am–5pm\u003c\/li\u003e\r\n \t\u003cli\u003eSun, Oct 10, 11am–5pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nIn this in-person workshop at CBA led by Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/dikko-faust\"\u003eDikko Faust\u003c\/a\u003e, students of all experience levels will learn about typographic history while printing on t-shirts and other cotton fabric items. Printing will be wood type only – as it is actually better suited to this process than metal – on CBA's R.Hoe \u0026amp; Co Washington Press (made in the Bronx in the late 1800's) with hand rollers. Your letterpress t-shirts (or other cotton items) will age gracefully since they won't crack like silkscreens.\r\n\r\nClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\nAll staff, artists, students, and guests are required to show proof of vaccination upon entering CBA and must wear a mask covering the nose and mouth.\r\n\u003cul\u003e\r\n \t\u003cli\u003eAt least one t-shirt or cotton fabric item you would like to print on\u003c\/li\u003e\r\n \t\u003cli\u003eLinoleum or woodcuts (type high or able to be raised to type high)\u003c\/li\u003e\r\n \t\u003cli\u003ePencil and paper to take notes\u003c\/li\u003e\r\n \t\u003cli\u003ePlease wear closed-toed shoes and clothes that can get stained or dirty\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\nCheck to see if any of the required materials are available in CBA's \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\"\u003eshop\u003c\/a\u003e–\u0026gt;\r\n\r\nAll other materials and tools will be provided by CBA at no additional cost to the students.\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003ca href=\"http:\/\/centerforbookarts.org\/people\/dikko-faust\"\u003eDikko Faust\u003c\/a\u003e founded Purgatory Pie Press when he was doing grad work with Walter Hamady at University of Wisconsin in 1977. He taught Letterpress and Typography at the Center for Book Arts, as well as School of Visual Arts, Cooper Union, Princeton, Rutgers, and workshops throughout the US, Canada, England and Germany. In these workshops, he also offers his services as Type Detective, identifying UTF's (unidentified typefaces). For recreational reading, he prefers old type catalogs. He did extensive research for Esther K Smith's Rizzoli reprint of William H Page's \u003cem\u003eSpecimens of Chromatic Wood Type, Borders \u0026amp;c.\u003c\/em\u003e Purgatory Pie Press has exhibited at Metropolitan Museum of Art, Victoria \u0026amp; Albert Museum, Museum of Modern Art, Harvard University and many other art centers throughout the world, including more than a dozen Center for Book Arts exhibitions-- starting with CBA's 5 year anniversary exhibition.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eImages courtesy the Instructor.\r\n\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060051435676,"sku":"C 2021-10-09","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/5f84c9ec-IMG_3934-scaled.jpg?v=1751390680"},{"product_id":"paper-cutting-basics-fall-2021","title":"Paper-cutting Basics (Fall 2021)","description":"\u003ch3\u003eThis virtual workshop takes place on Monday, October 11 from 10am–12pm ET\u003c\/h3\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nTaught by paper-cutting artist and CBA Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beatrice-coron\"\u003eBéatrice Coron\u003c\/a\u003e, this two-hour virtual workshop – for students new to paper-cutting – covers the basic principles and techniques of the art form.\r\n\r\nThe workshop begins with a presentation on the history of paper-cutting and then transitions to fun instructional exercises. Students will learn how to adapt photographs with paper-cutting and designing multi-color mini books. Coron will also share tips, tricks, and resources so students can continue paper-cutting in the future.\r\n\r\nClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eX-acto knife, extra blades\u003c\/li\u003e\r\n \t\u003cli\u003eCutting mat\u003c\/li\u003e\r\n \t\u003cli\u003eOrigami papers\u003c\/li\u003e\r\n \t\u003cli\u003eTracing paper (or transparent paper such as parchment or freezer paper)\u003c\/li\u003e\r\n \t\u003cli\u003eA few sheets of copy\/printer paper\u003c\/li\u003e\r\n \t\u003cli\u003eGlue\u003c\/li\u003e\r\n \t\u003cli\u003eStapler\u003c\/li\u003e\r\n \t\u003cli\u003eScotch tape\u003c\/li\u003e\r\n \t\u003cli\u003ePhotocopy of an image you want to adapt to papercutting\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eOptional Materials\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eExtra letter-size sheets of paper (can be from recycling)\u003c\/li\u003e\r\n \t\u003cli\u003eLarger format papers (you can assemble US letter paper, or used Tyvek envelops from UPS\/USPS\/FedEx, or use  any other large paper you may have – for instance, rolls of craft\/wrapping\/wallpaper)\u003c\/li\u003e\r\n \t\u003cli\u003eOld magazines\u003c\/li\u003e\r\n \t\u003cli\u003ePlastic bags\u003c\/li\u003e\r\n \t\u003cli\u003eArt\/decorative papers\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\nSee if any of the required materials are available in CBA's \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\"\u003eshop\u003c\/a\u003e–\u0026gt;\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\nPaper-cutting artist \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beatrice-coron\"\u003eBéatrice Coron\u003c\/a\u003e was born and raised in France and lived on several different continents before settling in New York City. She pursues visual storytelling through paper-cutting – creating artist books, digital animations, and public art. Her work can be seen in major collections including the Metropolitan Museum of Art and the Walker Art Center. She has completed public art projects for transit systems in New York, Los Angeles, and Chicago.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060051304604,"sku":"C 2021-10-11 V","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/bcf747fa-coronada-detail1-1.jpg?v=1751390673"},{"product_id":"make-your-own-botanical-paper-cut-fall-2021","title":"Make Your Own Botanical Paper-cut (Fall 2021)","description":"\u003ch3\u003eThis virtual workshop takes place on Thursday, October 21 from 3–5pm ET\u003c\/h3\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nIn this two-hour online workshop for all experience levels, artist and CBA instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beatrice-coron\"\u003eBéatrice Coron\u003c\/a\u003e teaches students to design and cut a paper wall-hanging of seasonal flora.\r\n\r\nTo help students generate ideas, Coron will show examples of different design options. Then she'll teach basic paper-cutting techniques like how to adapt an image through paper cutting. By the end of the class, each student will have made their own large-scale botanical cut-out!\r\n\r\nCoron also will share paper-cutting tips, tricks, and resources so that students can continue to work on more paper-cutting projects after the class.\r\n\r\nClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eX-acto knife, extra blades\u003c\/li\u003e\r\n \t\u003cli\u003eCutting mat\u003c\/li\u003e\r\n \t\u003cli\u003eGlue\u003c\/li\u003e\r\n \t\u003cli\u003eStapler\u003c\/li\u003e\r\n \t\u003cli\u003eScotch tape\u003c\/li\u003e\r\n \t\u003cli\u003eLoose papers (to create large panels of paper, you can assemble US letter paper, or used Tyvek envelops from UPS\/USPS\/FedEx, or use  any other large paper you may have – for instance, rolls of craft\/wrapping\/wall paper)\u003c\/li\u003e\r\n \t\u003cli\u003eTracing paper (or any transparent paper such as parchment or freezer paper)\u003c\/li\u003e\r\n \t\u003cli\u003eOld magazines, newspapers\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\nSee if any of the required materials are available in CBA's \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\"\u003eshop\u003c\/a\u003e–\u0026gt;\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\nPaper-cutting artist \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beatrice-coron\"\u003eBéatrice Coron\u003c\/a\u003e was born and raised in France and lived on several different continents before settling in New York City. She pursues visual storytelling through paper-cutting – creating artist books, digital animations, and public art. Her work can be seen in major collections including the Metropolitan Museum of Art and the Walker Art Center. She has completed public art projects for transit systems in New York, Los Angeles and Chicago.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060051337372,"sku":"C 2021-10-21 V2","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/844f2933-IMG_6406-copy-rotated.jpg?v=1751390669"},{"product_id":"wearable-paper-cuts-fall-2021","title":"Wearable Paper-cuts (Fall 2021)","description":"\u003ch3\u003eThis virtual workshop takes place on Tuesday, November 2 from 10am–12pm ET\u003c\/h3\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nTaught by artist and CBA Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beatrice-coron\"\u003eBéatrice Coron\u003c\/a\u003e, this fun virtual class for all experience levels explores unique methods of creating paper-cut designs that can be worn on the body.\r\n\r\nStudents will learn to design 3D compositions using paper-cutting techniques like pop-ups and paper-sculptures. The group will also discuss how designs can be adapted to materials such as glass or metal. Coron will also share tips, tricks, and resources so students can continue to work on paper-cutting projects in the future.\r\n\r\nClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eX-acto knife, extra blades\u003c\/li\u003e\r\n \t\u003cli\u003eCutting mat\u003c\/li\u003e\r\n \t\u003cli\u003eScissors\u003c\/li\u003e\r\n \t\u003cli\u003eNeedle \u0026amp; thread\u003c\/li\u003e\r\n \t\u003cli\u003eGlue\u003c\/li\u003e\r\n \t\u003cli\u003eTape\u003c\/li\u003e\r\n \t\u003cli\u003eStapler\u003c\/li\u003e\r\n \t\u003cli\u003eSafety pins\u003c\/li\u003e\r\n \t\u003cli\u003eAny kind of paper, Tyvek, rolls of craft papers, cardstock, recycled materials (cereals boxes, magazines, wall paper, used envelopes)\u003c\/li\u003e\r\n \t\u003cli\u003eAdditional materials like plastic, textile, rubber, carpet\u003c\/li\u003e\r\n \t\u003cli\u003eAny art supplies you already have\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\nSee if any of the required materials are available in CBA's \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\"\u003eshop\u003c\/a\u003e–\u0026gt;\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\nPaper-cutting artist \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beatrice-coron\"\u003eBéatrice Coron\u003c\/a\u003e was born and raised in France and lived on several different continents before settling in New York City. She pursues visual storytelling through paper-cutting – creating artist books, digital animations, and public art. Her work can be seen in major collections including the Metropolitan Museum of Art and the Walker Art Center. She has completed public art projects for transit systems in New York, Los Angeles and Chicago.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060051370140,"sku":"C 2021-11-02 V2","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/f565c7a1-https___cdn.evbuc_.com_images_114838833_283465953395_1_original.jpg?v=1751390664"},{"product_id":"paper-cutting-on-stage-kamishibai-and-paper-theaters-fall-2021","title":"Paper-cutting on Stage: Kamishibai and Paper Theaters (Fall 2021)","description":"\u003ch3\u003eThis virtual workshop takes place on Wednesday, November 10 from 3–5pm ET\u003c\/h3\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nIn this virtual workshop for all experience levels, artist and CBA Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beatrice-coron\"\u003eBéatrice Coron\u003c\/a\u003e will teach students how to make their very own paper-cut stage.\r\n\r\nA paper-cut stage can take many forms including a tunnel book, multi-layered card, or an artist book. The class will draw inspiration from examples of paper stages from Japan, Victorian England, and more.\r\n\r\nStudents will consider how the kind of stories they want to tell can inform the structure they choose for their paper stage. Then Coron will share paper-cutting techniques that will allow students to create their own unique paper stages.\r\n\r\nThe class will also discuss various methods of activating a paper-cut stage like stop animation, video, and live performance. Finally, Coron will share tips, tricks, and resources to help students continue paper-stage-making in the future.\r\n\r\nClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eX-acto knife, blades 11\u003c\/li\u003e\r\n \t\u003cli\u003eCutting mat\u003c\/li\u003e\r\n \t\u003cli\u003eBinder board or cardboard\u003c\/li\u003e\r\n \t\u003cli\u003eTape\u003c\/li\u003e\r\n \t\u003cli\u003eGlue\u003c\/li\u003e\r\n \t\u003cli\u003eStapler\u003c\/li\u003e\r\n \t\u003cli\u003eUS letter-size paper and cardstock\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eOptional Materials\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eRecycled papers (magazines, cereal boxes, etc)\u003c\/li\u003e\r\n \t\u003cli\u003eThread \u0026amp; needle\u003c\/li\u003e\r\n \t\u003cli\u003eArt supplies\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\nSee if any of the required materials are available in CBA's \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\"\u003eshop\u003c\/a\u003e–\u0026gt;\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\nPaper-cutting artist \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beatrice-coron\"\u003eBéatrice Coron\u003c\/a\u003e was born and raised in France and lived on several different continents before settling in New York City. She pursues visual storytelling through paper-cutting – creating artist books, digital animations, and public art. Her work can be seen in major collections including the Metropolitan Museum of Art and the Walker Art Center. She has completed public art projects for transit systems in New York, Los Angeles and Chicago.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor. Photos by Etienne Frossard.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060051402908,"sku":"C 2021-11-10 V2","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/d826b737-EFrossard_BCoron_connections1Md.jpg?v=1751390660"},{"product_id":"two-colors-two-shapes-two-books-fall-2021","title":"Two Colors \/ Two Shapes \/ Two Books (Fall 2021)","description":"\u003ch3\u003eThis in-person workshop takes place at CBA across two sessions from Saturday \u0026amp; Sunday, October 16 \u0026amp; 17 from 10am–4pm\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSat, Oct, 16 10am–4pm\u003c\/li\u003e\r\n\u003cli\u003eSun, Oct 17, 10am–4pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eIn this in-person book-making workshop for students with some book arts experience, artist and CBA Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/barbara-mauriello\"\u003eBarbara Mauriello\u003c\/a\u003e teaches pochoir stenciling technique inspired by the exquisite geometry of Islamic tiles, the minimalism of Bauhaus designers like Sophie Taeuber-Arp, and the small repeated pattern in Japanese Komom textiles.\u003c\/p\u003e\r\n\u003cp\u003eAt the beginning of the workshop, Mauriello will assist each student in cutting two stencil shapes. Then students will use their two stencils and two colors of their own choosing to create a series of designs across two books. By creating constraints of form and color, Mauriello challenges her students to do as much as possible with as little as possible.\u003c\/p\u003e\r\n\u003cp\u003eUltimately, students will bind their editions of two books into double-sided accordion-fold books with handmade paper wrappers, which can also be decorated with stenciled designs. No cloth, no boards, and no adhesives will be used in the process.\u003c\/p\u003e\r\n\u003cp\u003eClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. Please email \u003ca href=\"mailto:education@centerforbookarts.org\"\u003eeducation@centerforbookarts.org\u003c\/a\u003e if you have any questions.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAt least two different colors of gouache opaque watercolor paint as well as one tube of white. Mauriello's favorite brand is Holbein Artists Gouache. The Lascaux acrylic-based brand of gouache paints is a less expensive option than the water-color variety.\u003c\/li\u003e\r\n\u003cli\u003eStiff flat-bottomed stencil brushes (sometimes called decorator brushes). Mauriello recommends the Robert Simmons as a reasonably-priced brand – in particular, the #1 and #11 brushes. She also uses the Da Vinci #6 brush for small areas. In general, more brushes mean less clean-up during painting sessions. This is important since the techniques used in this class require painting with dry brushes.\u003c\/li\u003e\r\n\u003cli\u003eSmall container for water\u003c\/li\u003e\r\n\u003cli\u003eBookbinding tools: bone folder, awl, knife, cutting mat, ruler, triangle, scissors, pencil and eraser, and a spring divider (if you have one)\u003c\/li\u003e\r\n\u003cli\u003eEye-dropper or pipette\u003c\/li\u003e\r\n\u003cli\u003ePlease wear closed-toed shoes and clothes that can get stained or dirty\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eOptional Materials\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePlastic paint-mixing pallets (they look like small muffin tins). The Instructor will bring a few but asks that if you have any, you bring them as well.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials and tools will be provided by CBA at no additional cost to the students.\u003c\/p\u003e\r\n\u003cp\u003eNote: Please be aware that shipping is often delayed due to the Covid-19 pandemic. You can find the art supplies required for this class at \u003ca href=\"https:\/\/www.dickblick.com\/\"\u003eBlick Art Materials\u003c\/a\u003e and \u003ca href=\"https:\/\/www.talasonline.com\/\"\u003eTalas\u003c\/a\u003e as well as select items in CBA’s own \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\"\u003eshop\u003c\/a\u003e!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cp\u003eAs an artist and proprietor of a bookbinding studio, Barbara Mauriello has spent over four decades making artists’ books, teaching bookbinding, and collaborating with visual artists and writers in producing limited editions of their work in the book format.\u003c\/p\u003e\r\n\u003cp\u003eHer faculty positions include several New York institutions: the Center For Book Arts; the School of Visual Arts; the International Center of Photography; Bank Street College, Graduate School of Education; and SUNY, Purchase. In addition, between 1990 and 2020, Mauriello taught in the MFA program at The University of the Arts, Philadelphia.\u003c\/p\u003e\r\n\u003cp\u003eShe has presented workshops at many museums, universities, and arts centers throughout the U.S. including Penland, Haystack, Book \u0026amp; Paper Intensive, the Book Arts Roundtable, and the Creative Arts Workshop.\u003c\/p\u003e\r\n\u003cp\u003eMauriello’s books are in many private collections and special collections in museums and libraries in the U.S. and in France and she has participated in over 60 exhibitions, nationally and internationally.\u003c\/p\u003e\r\n\u003cp\u003eIn 2000, Mauriello published the book \u003cem\u003eMaking Memory Boxes\u003c\/em\u003e (Rockport Publishers, Gloucester, MA.)\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060051533980,"sku":"C 2021-10-16 IP","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/2911a0f7-Title-Page-_Swiftly-Surely__Barbara-Mauriello_2018_1.3MB-scaled.jpg?v=1751390653"},{"product_id":"letterpress-i-fall-2021","title":"Letterpress I (Fall 2021)","description":"\u003ch3\u003eThis in-person workshop takes place at CBA across two sessions on Saturday \u0026amp; Sunday, October 16 \u0026amp; 17 from 11am–5pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSat, Oct, 16 11am–5pm\u003c\/li\u003e\r\n\u003cli\u003eSun, Oct 17, 11am–5pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person beginner’s course on letterpress printing is taught by artist and CBA Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/amber-braverman\"\u003eAmber Braverman\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003eIn the workshop, students will learn the basics of hand typesetting, how to print on CBA's Vandercook presses, and the process of editioning. Braverman will teach the essentials of printing hand-set type like inking and impression and selecting typefaces and paper.\u003c\/p\u003e\r\n\u003cp\u003eThis class is ideal for those who wish to learn to print simple text-based projects on the Vandercooks such as business cards, correspondence cards, and\/or poetry and prose.\u003c\/p\u003e\r\n\u003cp\u003eClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. Please email \u003ca href=\"mailto:education@centerforbookarts.org\"\u003eeducation@centerforbookarts.org\u003c\/a\u003e if you have any questions.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePencil and paper for taking notes\u003c\/li\u003e\r\n\u003cli\u003ePlease wear closed-toed shoes and clothes that can get stained or dirty\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials and tools will be provided by CBA at no additional cost to the students.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cp\u003eAmber Braverman is the proprietor of Post Editions, a letterpress studio focused on collaboration with artists and writers.\u003c\/p\u003e\r\n\u003cp\u003eAs an educator, Braverman hopes to share her passion for the craft of printmaking with her students. She has been teaching letterpress printing, image-making, and book forms at CBA since 2006.\u003c\/p\u003e\r\n\u003cp\u003eShe began her journey into the world of book arts from a young age and studied letterpress printmaking through apprenticeship and job printing. She currently resides in Garrison, New York.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060051468444,"sku":"C 2021-10-17 IP12","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/47cca553-2016_PRINTING_LETTERPRESS-scaled.jpg?v=1751390638"},{"product_id":"letterlocking-2022","title":"Letterlocking 2022","description":"\u003ch3\u003eThis workshop takes place on Sunday May 1 from 2-4pm in-person and on-site at Center for Book Arts (28 W 27th St, 3rd Fl).\u003c\/h3\u003e\r\n\u003ch3\u003ePlease note: registration for this workshop closes on Wednesday, April 27 at 11:59pm.\u003c\/h3\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nIn this in-person workshop open to all experience levels, Instructors \u003ca href=\"http:\/\/centerforbookarts.org\/people\/jana-dambrogio-daniel-starza-smith\"\u003eJana Dambrogio \u0026amp; Daniel Starza Smith\u003c\/a\u003e will teach participants the historic art of \"letterlocking.\"\r\n\r\nBefore the invention of the gummed envelope c.1830, correspondence by letter was almost entirely dependent on “\u003ca href=\"http:\/\/letterlocking.org\/about\"\u003eletterlocking\u003c\/a\u003e”, the process by which a flat writing substrate is turned into its own sending device. Letterlocking is one of the most important communication technologies of the last millennium, and is part of a 10,000-year document security tradition, but is only recently attracting critical attention. \u003ca href=\"https:\/\/www.youtube.com\/watch?time_continue=3\u0026amp;v=_KJBA57KLBo\u0026amp;feature=emb_title\"\u003eView a short documentary about letterlocking\u003c\/a\u003e–\u0026gt;\r\n\r\nDambrogio \u0026amp; Smith will guide participants through the main features and techniques of locked letters that make them distinctive, secure, attractive, and a joy to work with. The Instructors will also offer resources for learning more about letterlocking after the workshop is completed.\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout Jana Dambrogio \u0026amp; Daniel Starza Smith\u003c\/h3\u003e\r\nJana Dambrogio (she\/her) is the Thomas F. Peterson (1957) Conservator for Massachusetts Institute of Technology Libraries. She previously held positions at the US National Archives, the United Nations, and the Vatican Secret Archives. Her research in letterlocking has been supported by the Seaver Institute, the Delmas Foundation, and the American Academy in Rome. Her 2017 essay ‘Trickett’s Tickets’ reveals the identity of the first bookbinder for the US Continental Congress, William Trickett.\r\n\r\nDaniel Starza Smith (he\/him) is Senior Lecturer in Early Modern English Literature (1500–1700) at King’s College London. His books include John Donne and the Conway Papers (Oxford University Press, 2014) and, edited with Joshua Eckhardt, Manuscript Miscellanies in Early Modern England (Ashgate, 2014), and he is General Editor of the OUP editing of the Correspondence of John Donne.\r\n\r\nDambrogio and Smith are co-directors of the Unlocking History research group, and general editors of \u003ca href=\"http:\/\/letterlocking.org\"\u003eletterlocking.org\u003c\/a\u003e and the Dictionary of Letterlocking. Along with nine other scholars, Dambrogio and Smith recently published a \u003ca href=\"https:\/\/www.nature.com\/articles\/s41467-021-21326-w\"\u003estudy\u003c\/a\u003e that revealed the contents and letterlocking evidence of an unopened letter from 1697 for the first time.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eImages courtesy the Instructors.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054286492,"sku":"C 2022-05-01 IP 2","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/35a86e10-Letterlocking_3-e1650556419509.png?v=1751390336"},{"product_id":"book-sculpture-for-beginners-2022","title":"Book Sculpture for Beginners 2022","description":"\u003ch3\u003eThis in-person workshop at Center for Book Arts takes place across two sessions on Friday and Saturday, October 28 and 29, from 4–6pm.\u003c\/h3\u003e\r\n\u003cstrong\u003eComplete schedule:\u003c\/strong\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eFriday, October 28, 4:00–6:00 pm\u003c\/li\u003e\r\n \t\u003cli\u003eSaturday, October 29, 4:00–6:00 pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e\r\n\r\nThe book is always more than a carrier of words and pictures, and in this workshop we will explore the artistic possibilities of the book as raw material for art making. Using books that participants will bring, we will excavate, rearrange, cut—or tear—away, and explore the ways in which methods of altering the book allow other, more material, readings to take shape. From those portions removed from the books we will make collages and related works on\/of paper while taking part in conversations about the relationship of viewing and of reading, the history of the altered book as art, and of the fate of the print book in an increasingly digital age.\r\n\r\nThere are a total of 12 spots open in this small-group workshop.\r\n\r\nIf you cannot comfortably pay tuition but are interested in taking this class, please consider filling out our \u003ca href=\"http:\/\/centerforbookarts.org\/opportunities\/scholarships\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/centerforbookarts.org\/opportunities\/scholarships\u0026amp;source=gmail\u0026amp;ust=1661966224505000\u0026amp;usg=AOvVaw3mODZPSBdubE6nZTtwUnFS\"\u003efinancial assistance application here\u003c\/a\u003e. We will notify you of your scholarship status before the start date of the class.\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e\r\n\u003cp\u003e1) Existing printed books of the student's own choice, whether new or old. Whatever the subject of the book, consider that alterations of it as an object will affect its material integrity. As Susan Stewart puts it, “We are so often drawn to the sight of what is broken, damaged and decayed.”\u003c\/p\u003e\r\n\u003cdiv\u003e\u003c\/div\u003e\r\n\u003cp\u003e2) X-Acto knives, for excising pages\u003c\/p\u003e\r\n\u003cdiv\u003e\u003c\/div\u003e\r\n\u003cp\u003e3) Pigments for coloring (or for blotting out) text or image; pencils or markers for drawing in\/on the book\u003c\/p\u003e\r\n\u003cdiv\u003e\u003c\/div\u003e\r\n\u003cp\u003e4) Additional collage or 3-D materials for adhering to pages and\/or cover\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003ca href=\"http:\/\/centerforbookarts.org\/people\/buzz-spector-2\"\u003eBuzz Spector\u003c\/a\u003e’s art makes frequent use of the book, both as subject and object, and is concerned with relationships between public history, individual memory, and perception. He has had solo exhibitions at the Saint Louis Art Museum, Art Institute of Chicago; Orange County Museum of Art; Mattress Factory, Pittsburgh, PA; Rockford Art Museum; and many private galleries and alternative spaces. Spector’s writing, both critical and experimental, has appeared in various journals and reviews since the 1970s, including Artforum, Art in America, Art Issues, Bridge, Café Solo, POSIT, River Styx and WhiteWalls. Spector holds the BA in studio art from Southern Illinois University, Carbondale and the MFA from the University of Chicago. He is visiting faculty in the PhD in Creativity at University of the Arts, Philadelphia, and emeritus professor of art in the Sam Fox School of Design \u0026amp; Visual Arts at Washington University in St. Louis.\r\n\r\n\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054188188,"sku":"C 2022-05-27 IP 4","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/ee890e2b-Story-of-London_boo-paterson.jpg?v=1751390322"},{"product_id":"paired-station-coptics-summer-2022","title":"Paired Station Coptics - Summer 2022","description":"\u003ch3\u003eThis virtual workshop takes place on Zoom on Monday and Wednesday, June 6 and 8, from 1pm–3pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMonday, June 6, 1:00 - 3:00 pm \u003c\/li\u003e\r\n\u003cli\u003eMonday, June 8, 1:00 - 3:00 pm \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Monday, June 6 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis two-session virtual workshop taught by CBA instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/scott-mccarney\"\u003eScott McCarney\u003c\/a\u003e is an introduction to the paired-station coptic sewing (dating from the 5th century CE and still in use today!) which is suitable for binding single sheets, folios and\/or gathered sections in a single book structure. It is an exposed spine, unsupported sewing that is sturdy and allows the book to lie flat.\u003c\/p\u003e\r\n\u003cp\u003eWe will be making two books: a single sheet sample with card pages and one of folded and gathered sections. Once these have been mastered, the techniques can be combined to make books of an infinite variety of sections and materials.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eStudents will need the following materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ecardboard (cereal boxes or post cards work well) \u003c\/li\u003e\r\n\u003cli\u003epaper\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\/tools\/bonefolder\"\u003eBone folder\u003c\/a\u003e\u003c\/li\u003e\r\n\u003cli\u003ePaper awl\u003c\/li\u003e\r\n\u003cli\u003ePaper knife (a table knife or butter knife will suffice)\u003c\/li\u003e\r\n\u003cli\u003ePencil\u003c\/li\u003e\r\n\u003cli\u003eRuler\u003c\/li\u003e\r\n\u003cli\u003eNeedles\u003c\/li\u003e\r\n\u003cli\u003eThread (two colors of thread would be good but not a deal breaker)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/scott-mccarney\"\u003eScott McCarney\u003c\/a\u003e is an artist, designer, and educator based in Rochester, New York.\u003c\/p\u003e\r\n\u003cp\u003eHis primary art practice has been in book form since 1980 and spans many media, from offset and digital printing to sculptural and site-specific installation.\u003c\/p\u003e\r\n\u003cp\u003eHis bookworks can be found in the collections of the Museum of Modern Art, New York; Victoria \u0026amp; Albert Museum, London; and Yale University Art Gallery, among others. His work is shown internationally (Sao Paulo, Brazil; Melbourne, Australia; Baku, Azerbaijan) as well as closer to home (Hallwalls, Buffalo NY; Everson Museum, Syracuse NY; Memorial Art Gallery, Rochester NY).\u003c\/p\u003e\r\n\u003cp\u003eHis teaching and lecturing itinerary is varied and eclectic, carrying the banner of artist’s books to Australia, New Zealand, Korea, Mexico, and South America. He recently concluded 16 years of teaching in the College of Art and Design at Rochester Institute of Technology.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054220956,"sku":"C 2022-06-08 V 4","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/7394954d-PairedStationCoptics_illus.jpg?v=1751390309"},{"product_id":"printing-on-the-platen-press-2022","title":"Printing on the Platen Press 2022","description":"\u003ch3\u003eThis in-person workshop takes place at CBA on Thursday evenings May 19–June 9 from 6pm–9pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThursday, May 19, 6–9pm\u003c\/li\u003e\r\n\u003cli\u003eThursday, May 26, 6–9pm\u003c\/li\u003e\r\n\u003cli\u003eThursday, June 2, 6–9pm\u003c\/li\u003e\r\n\u003cli\u003eThursday, June 9, 6-9pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Wednesday, May 11 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person course for all experience levels taught by CBA Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/amber-braverman\"\u003eAmber Braverman\u003c\/a\u003e will introduce participants to the platen press.\u003c\/p\u003e\r\n\u003cp\u003eThrough the process of getting acquainted with the press, participants will create their own small prints, business cards, or greeting cards.\u003c\/p\u003e\r\n\u003cp\u003eTopics covered will include how to edition, register multiple colors, and how to print on the platen presses at CBA. Participants will use metal type, wood type, and digital design (polymer plates) throughout the course.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStudents should bring pencils, snap blade or X-acto knife.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials and tools will be provided by CBA at no additional cost to the students.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Amber Braverman\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/amber-braverman\"\u003eAmber Braverman\u003c\/a\u003e is the proprietor of Post Editions, a letterpress studio focused on collaboration with artists and writers.\u003c\/p\u003e\r\n\u003cp\u003eAs an educator, Braverman hopes to share her passion for the craft of printmaking with her students. She has been teaching letterpress printing, image-making, and book forms at CBA since 2006.\u003c\/p\u003e\r\n\u003cp\u003eShe began her journey into the world of book arts from a young age and studied letterpress printmaking through apprenticeship and job printing. She currently resides in Garrison, New York.\u003c\/p\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054319260,"sku":"C 2022-06-09 IP 12","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/70352241-20210128_145239-1-rotated.jpg?v=1751390319"},{"product_id":"drum-leaf-binding-and-its-precedents-summer-2022","title":"Drum Leaf Binding and its Precedents - Summer 2022","description":"\u003ch3\u003eThis virtual workshop takes place on Zoom on Monday, Wednesday, and Friday June 13–17, from 1pm–3pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMonday, June 13, 1–3pm\u003c\/li\u003e\r\n\u003cli\u003eWednesday, June 15, 1–3pm\u003c\/li\u003e\r\n\u003cli\u003eFriday, June 17, 1–3pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Monday, June 6 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003eIn this three-session workshop with CBA instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/scott-mccarney\"\u003eScott McCarney\u003c\/a\u003e, we will be making three\"lay-flat\" books popular with photographers and printmakers. These techniques are related in their ease and ingenuity of assembly: a Japanese Album, a Japanese Butterfly book, and a Drum-Leaf binding. All three books join single folded folios in distinct ways, the Drum-Leaf being a hybrid combination of the Album and Butterfly. All three use a minimum of glue, limiting the amount of moisture introduced to the book block which speeds the binding process considerably. The Drum-Leaf book is cased into an easily assembled quarter-cloth cover with a throw-back spine. Since each page spread is a single folded folio, it allows images to be printed across the gutter with no interruption, making it very popular with printmakers and photographers. Once completed, the book lies flat when opened, making it very popular with viewers.\u003c\/p\u003e\r\n\u003cp class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003eSession one: We will make a Japanese album and a Japanese butterfly book. We’ll also make covers for these books using the “drumming” technique.\u003c\/p\u003e\r\n\u003cp class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003eSession two: We will “drum” a stack of folded folios to create the book block for the Drum-Leaf binding.\u003c\/p\u003e\r\n\u003cp class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003eSession three: We will make the cover and case-in the Drum-Leaf book block.\u003c\/p\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eSupplies:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e20 sheets of text weight paper (24 lb. copy paper or equivalent) – measuring 5.5 x 8.5 inches folded in half to measure 5.5 x 4.25 inches\u003c\/li\u003e\r\n\u003cli\u003e1 piece of book cloth measuring at least 3 x 7.5 inches\u003c\/li\u003e\r\n\u003cli\u003e6 pieces of medium weight book board (or equivalent) – measuring 5.5 x 4.25 inches\u003c\/li\u003e\r\n\u003cli\u003e6 pieces of decorative paper (or text weight papers) – measuring 5.25 x 6.5 inches\u003c\/li\u003e\r\n\u003cli\u003ea scrap of decorative paper or book cloth measuring 2 inches square\u003c\/li\u003e\r\n\u003cli\u003e12 sheets of medium weight paper (60# or 80# cover weight or equivalent [a standard manilla file folder is a good weight]) – measuring 5.5 x 8.5 inches folded in half to measure 5.5 x 4.25 inches\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e\r\n\u003cp\u003eTools:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBone folder\u003c\/li\u003e\r\n\u003cli\u003eUHU glue stick\u003c\/li\u003e\r\n\u003cli\u003ePVA adhesive\u003c\/li\u003e\r\n\u003cli\u003eSmall glue brush (1\/4” is great)\u003c\/li\u003e\r\n\u003cli\u003eMetal ruler\u003c\/li\u003e\r\n\u003cli\u003eScissors\u003c\/li\u003e\r\n\u003cli\u003eScrap paper to control glue mess\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003eOptional:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 sheets of medium weight paper (60# or 80# cover weight or equivalent) of a contrasting color – measuring 5.5 x 8.5 inches folded in half to measure 5.5 x 4.25 inches for end papers\u003c\/li\u003e\r\n\u003cli\u003e4 sheets of text weight paper (24 lb. copy paper or equivalent) of a contrasting color – measuring 5.5 x 8.5 inches folded in half to measure 5.5 x 4.25 for end papers\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eOptional Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eColored pencils, stamp pads, and make-up sponges can be used to add more decorative elements to your book.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/scott-mccarney\"\u003eScott McCarney\u003c\/a\u003e is an artist, designer, and educator based in Rochester, New York.\u003c\/p\u003e\r\n\u003cp\u003eHis primary art practice has been in book form since 1980 and spans many media, from offset and digital printing to sculptural and site-specific installation.\u003c\/p\u003e\r\n\u003cp\u003eHis bookworks can be found in the collections of the Museum of Modern Art, New York; Victoria \u0026amp; Albert Museum, London; and Yale University Art Gallery, among others. His work is shown internationally (Sao Paulo, Brazil; Melbourne, Australia; Baku, Azerbaijan) as well as closer to home (Hallwalls, Buffalo NY; Everson Museum, Syracuse NY; Memorial Art Gallery, Rochester NY).\u003c\/p\u003e\r\n\u003cp\u003eHis teaching and lecturing itinerary is varied and eclectic, carrying the banner of artist’s books to Australia, New Zealand, Korea, Mexico, and South America.\u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"https:\/\/scottmccarney.cargo.site\"\u003eLearn More\u003c\/a\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054253724,"sku":"C 2022-06-17 V 6","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/00ebb049-DrumLeaf_illus.jpg?v=1751390298"},{"product_id":"the-flag-book-travel-quest-2022","title":"The Flag Book: Travel Quest 2022","description":"\u003ch3\u003eThis virtual workshop takes place on Zoom on Friday, June 10, from 1pm–3pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFriday, June 10, 1:00 - 3:00 pm ET\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Friday, June 3 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eGo on a creative adventure in this virtual flag-book workshop for students 18+ years of age who with some book-making experience. The workshop is led by longtime CBA Instructor—and intrepid tour guide—\u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-g-pisano\"\u003eMaria G. Pisano\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003eOriginally created by artist \u003ca href=\"http:\/\/centerforbookarts.org\/people\/hedi-kyle\"\u003eHedi Kyle\u003c\/a\u003e, the flag book form has pages that criss-cross each other when the book opens and closes—creating excitement, movement, and interactivity. Students in this course will design their own 3-dimensional flag book by collaging travel-related images of their own choosing across the pages and covers. Each person will complete a truly unique travel-inspired work of art!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eStudents will need the following materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTravel-inspired collage materials of your choosing*\u003c\/li\u003e\r\n\u003cli\u003e10 images\/photos for the pages \u0026amp; cover\u003c\/li\u003e\r\n\u003cli\u003e9 images 2” H x 4.5″ W for the pages\u003c\/li\u003e\r\n\u003cli\u003e1 or more images any size, to fit front cover that measures 5.5″ W x 8.5″ H\u003c\/li\u003e\r\n\u003cli\u003eCover weight\/cardstock (65lb) paper for covers\/support and pages:\u003cbr\u003etwo colors, light for pages and darker for covers\/support\u003c\/li\u003e\r\n\u003cli\u003e9 flags\/pages per book:\u003cbr\u003eCut 6 flags – 5” W x 2.25″ H\u003cbr\u003eCut 3 flags – 5” W x 2.5″ H\u003c\/li\u003e\r\n\u003cli\u003eCovers + support – 3 pages in the same color – each 8.5″ x 11″\u003c\/li\u003e\r\n\u003cli\u003eWhite scrap paper for protecting your working surface when gluing and\/or for stencils\u003c\/li\u003e\r\n\u003cli\u003eSelf-healing mat\u003c\/li\u003e\r\n\u003cli\u003eX-acto or small snap blade knife\u003c\/li\u003e\r\n\u003cli\u003eScissors\u003c\/li\u003e\r\n\u003cli\u003eBone folder or popsicle sticks\u003c\/li\u003e\r\n\u003cli\u003eGlue stick or double sided tape\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e*Students should come prepared with their own collage materials inspired by travel. Some items that would be appropriate include images of places you have visited and\/or places you would like to visit—real or imagined; maps of cities, countries, continents, planets; photos of yourself and\/or family and friends (or anyone) you want to travel with; travel ephemera like postcards and ticket stubs; and whatever else you would like to include! If you do not want to use the original items, please make copies.\u003c\/p\u003e\r\n\u003ch3\u003eOptional Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eColored pencils, stamp pads, and make-up sponges can be used to add more decorative elements to your book.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-g-pisano\"\u003eMaria G. Pisano\u003c\/a\u003e is a book artist, printmaker, curator, and educator.\u003c\/p\u003e\r\n\u003cp\u003eHer \u003cem\u003eMemory Press\u003c\/em\u003e works are represented in The Library of Congress, 9-11 Memorial Museum, Carnegie Mellon University, Columbia University, Lafayette College, University of Delaware, Wesleyan University, and many more. Ms. Pisano has exhibited widely—including a solo exhibition titled \u003cem\u003eReflections: Artist Books and Works on Paper\u003c\/em\u003e.\u003c\/p\u003e\r\n\u003cp\u003eOver the years she has curated a number of exhibitions at Center for Book Arts in NYC, such as \u003ca href=\"http:\/\/centerforbookarts.org\/book-as-witness-the-artists-response-exhibition\"\u003e\u003cem\u003eBook as Witness: The Artist’s Response\u003c\/em\u003e\u003c\/a\u003e. In 2021 she curated \u003cem\u003eCrossroads\u003c\/em\u003e at the Hunterdon Museum of Art in New Jersey.\u003c\/p\u003e\r\n\u003cp\u003eMs. Pisano contributes to book arts publications and has presented lectures at the Library of Congress, College Book Arts Association, and the Art Libraries Society of North America. Her article \u003cem\u003eMark To Impress\u003c\/em\u003e was published in \u003cem\u003eCalifornia Society of Printmakers 2018 Journal\u003c\/em\u003e and 2019 in \u003cem\u003eThe Blue Notebook\u003c\/em\u003e in the UK.\u003c\/p\u003e\r\n\u003cp\u003eShe continuously teaches workshops nationally and internationally at venues including the Bridwell Library in Dallas TX, Hand Bookbinders of California, and Center for Book Arts in NYC.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054384796,"sku":"C 2022-06-10 V 2","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/121629a3-Pisano-Garden-Flag-BK.jpg?v=1751390304"},{"product_id":"spinning-a-yarn-textile-arts-as-book-arts-2022","title":"Spinning a Yarn: Textile Arts as Book Arts 2022","description":"\u003ch3\u003eThis virtual workshop takes place on Zoom on Thursday, August 11, from 6–8pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThursday, August 11, 6:00–8:00pm. \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on August 10 at 11:59pm. The last day to order a Materials Kit for this class is Monday, August 1. \u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis virtual class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/iviva-olenick\"\u003eIviva Olenick\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003eThis virtual workshop combines book arts and fiber arts through hands-on and perceptual explorations with materials typically found at home, and ones specially prepared by the instructor in the Fibers kits. Through process and materials-heavy exploration, gain confidence recognizing the color potential in food and yard waste, and develop ways to create unique book covers through dyeing, stitching and applying non-woven fabrics to paper and\/or fabric. Begin thinking of fabric as a sculptural tool for creating boxes and covers for books.\u003c\/p\u003e\r\n\u003cp\u003eStudents will learn how to use organic materials like fruits, vegetables, yard waste, leaves, and flowers to dye fabric in a variety of colors! Olenick will teach students the bundle dyeing technique, which combines color theory, printmaking, and fiber arts.\u003c\/p\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cp\u003eClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eIt is highly recommended that students \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\/tools\/spinning-a-yarn-textile-arts-as-book-arts-materials-kit\"\u003epurchase a Fibers kit\u003c\/a\u003e for this course! If you want to go it alone, \u003cstrong\u003ehere is what you'll need:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePreferably silk fabric that has been scoured (pre-washed in soda-ash) and mordanted (soaked in water that had alum dissolved in it for at least 1 hour or overnight). Instructions for \u003ca href=\"https:\/\/www.dharmatrading.com\/chemicals\/soda-ash-fixer.html\"\u003escouring\u003c\/a\u003e and \u003ca href=\"https:\/\/www.dharmatrading.com\/chemicals\/alum.html\"\u003emordanting\u003c\/a\u003e can be found using the links. If you don't have silk, you can use cotton, linen or wool. \u003cbr\u003e• If you are scouring or mordanting fabric, you need to purchase soda ash and alum using the links in the bullet point directly above this one. \u003cbr\u003e• undyed string, yarn or undyed rubber bands\u003cbr\u003e• food waste - avocado skins well washed, berries of any kind, purple cabbage, acorns, black beans, onion skins, hibiscus flower petals or calyxes, eucalyptus leaves, purpleleaf sandcherry tree leaves\u003cbr\u003e• cotton muslin for stitching experiments\u003cbr\u003e• 1 yard of heavyweight, \u003ca href=\"https:\/\/www.joann.com\/pellon-stabilizer-interfacing-by-the-yard\/1261502.html?utm_source=google\u0026amp;utm_medium=cpc\u0026amp;gclid=CjwKCAiAtdGNBhAmEiwAWxGcUvr-1YC1O4ftTnZ0GIX7xYlFbhrIZj_p17gyGZAi7K8kPZLMIgFC3hoCalYQAvD_BwE\"\u003efusible interfacing\u003c\/a\u003e\u003cbr\u003e• 1 package of \u003ca href=\"https:\/\/www.amazon.com\/MAROBEE-Interfacing-Lightweight-Non-Woven-Projects\/dp\/B08K8P8B7H\/ref=sr_1_1_sspa?gclid=Cj0KCQiA2NaNBhDvARIsAEw55hhx_4znemVObdGCWknPw6y-JPixufrQtoVlb1vcfw9emF0xtW2LhywaAhspEALw_wcB\u0026amp;hvadid=409992204122\u0026amp;hvdev=c\u0026amp;hvlocphy=9004366\u0026amp;hvnetw=g\u0026amp;hvqmt=e\u0026amp;hvrand=12774789187463161434\u0026amp;hvtargid=kwd-10911804582\u0026amp;hydadcr=24602_11409286\u0026amp;keywords=lightweight+fusible+interfacing\u0026amp;qid=1639322489\u0026amp;sr=8-1-spons\u0026amp;psc=1\u0026amp;spLa=ZW5jcnlwdGVkUXVhbGlmaWVyPUFCMktKWEpXU05ENE8mZW5jcnlwdGVkSWQ9QTAyNDA4NDNSVzlaMkpHUkVVWlomZW5jcnlwdGVkQWRJZD1BMDg1OTQ0NzNGWU5FNjJPR1JCWVQmd2lkZ2V0TmFtZT1zcF9hdGYmYWN0aW9uPWNsaWNrUmVkaXJlY3QmZG9Ob3RMb2dDbGljaz10cnVl\"\u003elightweight fusible interfacing\u003c\/a\u003e\u003cbr\u003e• embroidery thread or sewing thread\u003cbr\u003e• needles with a sharp tip and eyes large enough to thread. I personally like size \u003ca href=\"https:\/\/www.amazon.com\/DMC-1768-18-Chenille-Needles-6-Pack\/dp\/B007X952XG\/ref=sr_1_11?crid=23X47IW6GIXSA\u0026amp;keywords=chenille%2Bneedles%2Bin%2Bsizes%2B18%2Bto%2B22\u0026amp;qid=1639322322\u0026amp;sprefix=size%2B18-22%2Bchenille%2B%2Caps%2C163\u0026amp;sr=8-11\u0026amp;th=1\"\u003e18-22 chenille needles\u003c\/a\u003e \u003cbr\u003e• paper you would like to experiment with stitching on\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAll students must have:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ea dye pot, which should be either stainless steel or coated enamel, and not to be used for cooking after becoming a dye pot.\u003c\/li\u003e\r\n\u003cli\u003ea steamer or a piece of aluminum foil with holes poked in it large enough to fit snugly over the dye pot.\u003c\/li\u003e\r\n\u003cli\u003ewater for steaming\u003c\/li\u003e\r\n\u003cli\u003ean iron\u003c\/li\u003e\r\n\u003cli\u003efabric scissors\u003c\/li\u003e\r\n\u003cli\u003eany additional food or yard waste you would like to experiment with for making color\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Iviva Olenick\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/iviva-olenick\"\u003eIviva Olenick\u003c\/a\u003e is a Brooklyn-based artist developing textiles from seed to fiber and dye and using textiles as texts.\u003c\/p\u003e\r\n\u003cp\u003eHer work has been exhibited all over the United States, including the Philadelphia Museum of Art; Museum of Design Atlanta; the Hunterdon Museum, NJ; Sugar Hill Children’s Museum of Art \u0026amp; Storytelling, NYC; the Center for Book Arts, NYC; the Old Stone House, Brooklyn; Wyckoff House Museum, Brooklyn.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054352028,"sku":"C 2022-06-17 V 6-1","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/6354523e-DrumLeaf_illus.jpg?v=1751390294"},{"product_id":"roll-up-pop-up-books-focus-on-movement-2022","title":"Roll-Up\/Pop-Up Books: Focus on Movement 2022","description":"\u003ch3\u003eThis virtual workshop takes place on Zoom on June 7–28 from 6–8pm ET.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTuesday, June 7, 6–8pm\u003c\/li\u003e\r\n\u003cli\u003eTuesday, June 14, 6–8pm\u003c\/li\u003e\r\n\u003cli\u003eTuesday, June 21 6–8pm\u003c\/li\u003e\r\n\u003cli\u003eTuesday, June 28, 6–8pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Tuesday, May 31 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cdiv\u003eThis workshop explores three classic pop-up structures. Each is frequently used throughout trade publishing to introduce a sense of movement or animation. You’re exploration of these structures will begin with a straight build of the classic structure. Next, you’ll glue detail pieces to that structure to see how mechanism becomes image. After that, you’ll build a fully-transformed version, where the mechanism and image are seamlessly integrated. Then you’ll repeat the process with your own ideas!\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cdiv\u003eThis will be furthered by building an innovative roll-up binding for the pop-up folios. Ultimately you’ll have a tidy, bound collection of study models that will propel you to the next step of pop-up invention. All are welcome, and experienced participants will be challenged in new ways. (This class builds on skills taught in previous workshops). \u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003eParticipants will:\u003c\/div\u003e\r\n\u003cdiv\u003e• use and understand standard tools and materials of paper engineering;\u003c\/div\u003e\r\n\u003cdiv\u003e• practice the foundational structures of paper engineering: parallel folds and angle folds;\u003c\/div\u003e\r\n\u003cdiv id=\"ext-gen75\"\u003e• develop complexity through combining parallel folds with angle folds;\u003c\/div\u003e\r\n\u003cdiv\u003e• engage in model-building;\u003c\/div\u003e\r\n\u003cdiv\u003e• execute glued-in structures;\u003c\/div\u003e\r\n\u003cdiv\u003e• practice paper cutting, scoring, folding and gluing;\u003c\/div\u003e\r\n\u003cdiv\u003e• observe learned structures in trade books;\u003c\/div\u003e\r\n\u003cdiv\u003e• identify the parts of a folio;\u003c\/div\u003e\r\n\u003cdiv\u003e• observe how pop-ups can provide a sense of movement and\/or animation;\u003c\/div\u003e\r\n\u003cdiv\u003e• use patterns to build representational structures;\u003c\/div\u003e\r\n\u003cdiv\u003e• explore volume using pattern-built pop-ups;\u003c\/div\u003e\r\n\u003cdiv\u003e• experiment to develop their own structures;\u003c\/div\u003e\r\n\u003cdiv\u003e• engage imagination to embellish representational structures;\u003c\/div\u003e\r\n\u003cdiv\u003e• create details that transform basic volumes into unique structures;\u003c\/div\u003e\r\n\u003cdiv\u003e• build a roll-up binding.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRuler\u003c\/li\u003e\r\n\u003cli\u003eSelf-healing mat\u003c\/li\u003e\r\n\u003cli\u003eX-acto knife\u003c\/li\u003e\r\n\u003cli\u003ePencil\u003c\/li\u003e\r\n\u003cli\u003eBone folder\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv id=\"ext-gen63\"\u003ePVA or other strong white craft glue\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv id=\"ext-gen63\"\u003eLow-tack masking tape\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv id=\"ext-gen63\"\u003eAt least 6 sheets 8.5” x 11” \u003ca href=\"https:\/\/www.staples.com\/Wausau-Paper-Exact-Index-Card-Stock-White-8-1-2-W-x-11-L-250-Pack\/product_958751\"\u003ewhite 110 lb index stock\u003c\/a\u003e\n\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv id=\"ext-gen63\"\u003eAt least 3 sheets 8.5” x 11” color \u003ca href=\"https:\/\/www.paperpapers.com\/basis-variety-cover-weight-paper.html\"\u003e80 lb cover stock\u003c\/a\u003e\n\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv id=\"ext-gen63\"\u003eAt least 2 sheets 8.5” x 11” white copy paper\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv id=\"ext-gen63\"\u003e1 sheet 8.5” x 11” \u003ca href=\"https:\/\/www.dickblick.com\/products\/blick-140-lb-premium-cardstock\/\"\u003e140 lb cover stock\u003c\/a\u003e (or comparable)\u003c\/div\u003e\r\n\u003cdiv\u003e1 roll of 1\/4” \u003ca href=\"https:\/\/www.talasonline.com\/3M-415-Tape?quantity=1\u0026amp;size=40\"\u003e415 double-stick tape\u003c\/a\u003e\n\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eOptional Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMicro spatula\u003c\/li\u003e\r\n\u003cli\u003eTweezers \u003c\/li\u003e\r\n\u003cli\u003eScissors\u003c\/li\u003e\r\n\u003cli\u003eScrew punch\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"https:\/\/www.shawnsheehy.com\/\"\u003eShawn Sheehy\u003c\/a\u003e has been teaching book arts courses and workshops on the national level since 2001. His broadsides and artist book editions have been collected by such prestigious institutions as Stanford, Carnegie Mellon, University of Chicago, Library of Congress, UCLA, and Harvard. His pop-ups have been featured twice in both \u003cem\u003eHand Papermaking\u003c\/em\u003e magazine and \u003cem\u003eVintage\u003c\/em\u003e magazine. Sheehy’s trade pop-up book \u003cem\u003eWelcome to the Neighborwood\u003c\/em\u003e (a mass-market version of his artist book) was released in 2015, winning numerous awards. The mass-market version of his artist book \u003cem\u003eBeyond the Sixth Extinction\u003c\/em\u003e was released through Candlewick in October 2018. He holds an MFA in the Book Arts from Columbia College Chicago.\u003c\/p\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054417564,"sku":"C 2022-06-28 V 8","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/1facf988-porcupine1-scaled.jpg?v=1751390291"},{"product_id":"the-art-of-the-yiddish-book-2022","title":"The Art of the Yiddish Book 2022","description":"\u003ch3\u003eThis in-person workshop takes place at YIVO Institute for Jewish Research and at Center for Book Arts on July 11–14 from 10–5pm ET.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMonday, July 11, 10am–12 pm at YIVO and 2–5pm at Center for Book Arts.\u003c\/li\u003e\r\n\u003cli\u003eTuesday, July 12, 10am–12 pm at YIVO and 2–5pm at Center for Book Arts.\u003c\/li\u003e\r\n\u003cli\u003eThursday, July 14, 10am–4pm at Center for Book Arts.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Monday, July 4, at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003eWorking with literary scholar Barbara Mann and book artist Roni Gross, students will draw on the unique resources of two downtown institutions (YIVO Institute for Jewish Research and Center for Book Arts) for an immersive experience in modern Jewish creativity. \u003c\/p\u003e\r\n\u003cp\u003eThe YIVO archives contain a multitude of artifacts, manuscripts, and books about Yiddish culture. Using objects and books from this world-renowned collection as inspiration, workshop participants will attend hands-on sessions at YIVO about the emergence and flourishing of modern Yiddish culture, in Eastern Europe and in the United States, and then create a collaborative print at the Center for Book Arts. \u003c\/p\u003e\r\n\u003cp\u003eStudents will have two morning sessions in the YIVO archives, and two afternoon sessions at the Center for Book Arts in the printshop, learning techniques related to the artworks we have seen and working on a collaborative print. The last day will be a six-hour session at the Center for Book Arts on the press.\u003c\/p\u003e\r\n\u003cp\u003eStudents will get experience printing on the Vandercook proof press, using wood type, cutting linoleum blocks, pressure printing and making multicolor collaborative prints.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStudents can purchase a small mounted linoleum block (it is on wood) - no larger than 4 x 6 - if they wish to have the option of carving one. Other materials will be provided\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/dr-barbara-mann\"\u003eBarbara Mann\u003c\/a\u003e (she\/her) is a Professor at the Jewish Theological Seminary in New York, and the author of \u003cem\u003eSpace and Place in Jewish Studies\u003c\/em\u003e (Rutgers University Press, 2012) and \u003cem\u003eA Place in History: Modernism, Tel Aviv and the Creation of Jewish Urban Space\u003c\/em\u003e (Stanford University Press, 2005), and \u003cem\u003eThe Object of Jewish Literature: A Material History\u003c\/em\u003e (Yale University Press, 2022)—which was supported by fellowships from the National Endowment for the Humanities.\u003c\/p\u003e\r\n\u003cp\u003eHer areas of expertise include literary studies, critical theory, and modern Jewish cultures; her interdisciplinary scholarship has analyzed the relation between space, memory, and cultural representation. Mann has lectured widely in the United States, Europe, and Israel.\u003c\/p\u003e\r\n\u003cp\u003eShe received her doctorate in Comparative Literature from the University of California, Berkeley, and has previously taught in the Near Eastern Studies Department at Princeton University.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/ronigross.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"\u003eRoni Gross\u003c\/a\u003e is a book artist whose work is in the collections of The Library of Congress, Harvard, Yale, and many other public and private collections. She runs Z’roah Press which produces limited edition sculptural books.\u003c\/p\u003e\r\n\u003cp\u003eGross has been an instructor at Center for Book Arts teaching letterpress technique and much more for a number of years. In 2019 she initiated the Book Talk series that continues to feature a diverse range of artists and scholars.\u003c\/p\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructors. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054450332,"sku":"C 2022-07-14 IP 15","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/e8feaf2d-KulturLige-Joy.jpg?v=1751390286"},{"product_id":"suminagashi-marbling-2024","title":"Suminagashi Marbling 2022","description":"\u003ch3\u003eThis online class will take place via Zoom on:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eWednesday, July 13, 6–8pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop\u003c\/h3\u003e\r\nMarbling artist and CBA Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/sheryl-oppenheim\"\u003eSheryl Oppenheim\u003c\/a\u003e teaches this virtual introductory workshop for adults and youth ages 13+ (with supervision) on the magical Japanese art of Suminagashi. Suminagashi is the oldest known form of marbling—dating back to at least the 12th century— and is totally distinct from marbling practices in Turkey, Iran, and Europe. In Oppenheim's class, each student will learn to create their very own Suminagashi marbled paper from the comfort of their own home.\r\n\r\nPlease Note: This virtual class is not recorded and students must participate live online.\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired materials\u003c\/h3\u003e\r\nThis class requires a variety of specialty materials. \u003ca href=\"https:\/\/docs.google.com\/document\/d\/1tQP2ODisfRLJAih0b6Ytig_Opjd-Q781geLY-fP2TsU\/edit?usp=sharing\"\u003eClick here to view the complete list\u003c\/a\u003e–\u0026gt;\r\n\r\n\u003cem\u003ePlease contact \u003ca href=\"mailto:education@centerforbookarts.org\"\u003eeducation@centerforbookarts.org\u003c\/a\u003e if you are having difficulty sourcing your materials for this workshop.\u003c\/em\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003ca href=\"http:\/\/centerforbookarts.org\/people\/sheryl-oppenheim\"\u003eSheryl Oppenheim\u003c\/a\u003e was born in 1983 and raised in Orlando, Florida.\r\n\r\nShe is a painter, paper marbler, and maker of illegible books, an idea she first became interested in after seeing the work of Bruno Munari, and through her proximity to books, bookbinders, and marbled paper at her first job in New York, at a bookbinding supply house. She began marbling paper in 2011 and began learning Suminagashi in 2016.\r\n\r\nHer artist books and prints are included in public collections including the Metropolitan Museum of Art’s Watson Library, the Museum of Modern Art, the Walker Art Center, the New York Public Library, the Brooklyn Museum, and the National Museum of Women in the Arts.\r\n\r\nShe has participated in recent exhibitions at the Minnesota Center for Book Arts, Sadie Halie Projects, Deanna Evans Projects, International Print Center New York, Small Editions, and the Cranbrook Museum of Art.\r\n\r\nOppenheim received her BA from Brandeis University and her MFA from Temple University’s Tyler School of Art.\r\n\r\nShe lives and works in New York City.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054483100,"sku":"C 2022-03-23 V 2","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/19dc9d4b-https___cdn.evbuc_.com_images_97261612_283465953395_1_original.jpg?v=1751390202"},{"product_id":"handcarved-blockprints-on-fabric-and-paper-2022","title":"Handcarved Blockprints on Fabric and Paper 2022","description":"\u003ch3\u003eThis virtual workshop takes place on Zoom on Tuesday, July 26 from 6–8pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTuesday, July 26: 6–8pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Tuesday, July 19, at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003eParticipants will design and sketch an object or geometric shape and use a clever transfer technique before carving the image from a slab of rubber.\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cdiv\u003eWe’ll print on both paper and fabric. Each person will print a set of cards and two cloth items of their choice: drawstring bag, tea towel, cloth napkin, T shirt or zip pouch.\u003c\/div\u003e\r\n\u003cdiv\u003eThe instructor will also demonstrate how to construct a sewn booklet, using one of the printed cards as a cover.\u003c\/div\u003e\r\n\u003cdiv\u003eFollow along and make one or two of your own!\u003c\/div\u003e\r\n\u003cdiv\u003eBy the end of the workshop , participants will have the knowledge and skills to create new designs on their own!\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSet of \u003ca href=\"https:\/\/www.dickblick.com\/items\/speedball-lino-set-no-1\/\"\u003elinocutting tools\u003c\/a\u003e by Speedball or Blick\u003c\/li\u003e\r\n\u003cli\u003e3x4\" \u003ca href=\"https:\/\/www.dickblick.com\/items\/speedball-speedy-carve-block-3-x-4\/\"\u003erubber carving slab\u003c\/a\u003e (Speedball)\u003c\/li\u003e\r\n\u003cli\u003efour or five blank cards: A2 size measures 4-1\/4 x 5-1\/2\" folded\u003c\/li\u003e\r\n\u003cli\u003eoptional: matching envelopes\u003c\/li\u003e\r\n\u003cli\u003etwo or three different \u003ca href=\"https:\/\/www.imaginecrafts.com\/versacraft\"\u003ecolor ink pads\u003c\/a\u003e which work for both fabric and paper (made by Versacraft or Yellow Owl)\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003efive sheets 8-1\/2 x 11\" white bond or photocopy paper, cut in half to 8-1\/2\"(w) x 5-1\/2(h)\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003elarge-eye needle\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eembroidery floss or linen bookbinding thread (sewing thread doubled can also work as another option)\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eruler\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003escissors\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003epencil\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003escrap paper\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv\u003e\r\n\u003ch3\u003eSelect two or more materials from the following list:\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ecotton or muslin drawstring bag (4\" x 6\" or larger)\u003c\/li\u003e\r\n\u003cli\u003eblank canvas zip pouch\u003c\/li\u003e\r\n\u003cli\u003eblank cotton or linen tea towel (white or light color) or napkin\u003c\/li\u003e\r\n\u003cli\u003ewhite or light-color T-shirt\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cp\u003eElaine G. Chu has taught students of all ages—online and in-person. Her work has appeared in “Greencraft” and “Somerset Studio” magazines and “1000 Artists‘ Books.\" She co-authored Wood Paper Scissors.” a how-to crafts book. She received a B.A. in music at Yale University and a B.F.A. in graphic design at University of the Arts. View additional art at \u003ca href=\"http:\/\/EGChuHandcrafted.etsy.com\"\u003eEGChuHandcrafted.etsy.com\u003c\/a\u003e and on Instagram: \u003ca href=\"https:\/\/www.instagram.com\/egchu1\/\"\u003e@egchu1\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054548636,"sku":"C 2022-07-26 V 2","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/1f3911a2-EChuBlkprntLeafBkTools-rotated.jpg?v=1751390272"},{"product_id":"dark-web-scavenger-hunt-2022","title":"Dark Web Scavenger Hunt 2022","description":"\u003ch3\u003eThis virtual workshop takes place on Zoom on Thursday, May 19, from 6-9 pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThursday, May 19th, 6–9 pm ET.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Tuesday, May 17, at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eHave you ever wondered about how to surf the dark web? Asked yourself what is the dark web? Thought, if only I could access the secret underworld of the internet!? Learn how. This is a vital tool for any artist. \u003c\/p\u003e\r\n\u003cp\u003eDark Web Treasure Hunt is an interactive game where participants explore the Dark Web in small groups to better understand the hidden landscape. After an initial history lesson on the Dark Web and Tor, artist Tim Schwartz aka ProfX, will be your guide as you, the wayward traveler, attempt to navigate hidden websites without the help of Google from the comfort of your own home.\u003c\/p\u003e\r\n\u003cp\u003eA computer and 30 minutes pre-work required. \u003c\/p\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eComputer and access to Zoom\u003c\/li\u003e\r\n\u003cli\u003e30 minutes pre-work required\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/tim-schwartz\"\u003eTim Schwartz\u003c\/a\u003e focuses on data privacy and digital information as an artist, activist, and technologist. He specializes in teaching techniques for challenging power while protecting one’s identity. He is the author of A Public Service published by OR Books. Schwartz co-organizes the digital training organization Los Angeles Cryptoparty, a member of the Electronic Frontier Alliance. After developing technology to reunite missing people affected by the earthquake in Haiti in 2010, he began organizing the Missing Persons Community of Interest, which develops technology for reunifying families after disasters. From 2004 to 2007, Schwartz was the Assistant Curator of Digital Media at the Museum of the Moving Image in NYC. He lives in Los Angeles.\u003c\/p\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructors. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054515868,"sku":"C 2022-05-19 V 3","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/bd2b385a-Dark-Web-Scavenger-Hunt.jpg?v=1751390274"},{"product_id":"artist-books-concept-making-2023","title":"Artist Books: Concept \u0026 Making 2022","description":"\u003ch3\u003eThis online workshop takes place via Zoom across three consecutive sessions on Tuesday, February 22; Wednesday; February 23; and Thursday, February 24 from 6–8pm ET:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eTues, Feb 22 6–8pm ET\u003c\/li\u003e\r\n \t\u003cli\u003eWed, Feb 23, 6–8pm ET\u003c\/li\u003e\r\n \t\u003cli\u003eThurs, Feb 24 6–8pm ET\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nInstructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-veronica-san-martin\"\u003eMaria Veronica San Martin\u003c\/a\u003e leads this online course for all experience levels on how to conceptualize and make your own artist book!\r\n\r\nThe course begins with a contextual lesson on the book as an artistic medium – helping provide students with inspiration for their own work.\r\n\r\nThen the class transitions to art-making – including learning the do's and don't of accordion book structure, the technique of monoprints on plexiglass, and the creation and construction of a flag book.\r\n\r\nBy the end of the course, each student will have created their own artist book and the class will engage in a final critique and discussion of all the work produced!\r\n\r\nClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3 class=\"ql-indent-1\"\u003eRequired materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003e2 Book Board 0.098\u003c\/li\u003e\r\n \t\u003cli\u003eA variety of book-cloths\u003c\/li\u003e\r\n \t\u003cli\u003ePVA glue with brushes, rollers or sponge brushes\u003c\/li\u003e\r\n \t\u003cli\u003e5-10 Printmaking paper like BFK or Arches, white or cream\u003c\/li\u003e\r\n \t\u003cli\u003e1 bonefolder\u003c\/li\u003e\r\n \t\u003cli\u003e1 roll of wax paper\u003c\/li\u003e\r\n \t\u003cli\u003e1 exacto knife\u003c\/li\u003e\r\n \t\u003cli\u003e1 ruler and square\u003c\/li\u003e\r\n \t\u003cli\u003e1 cutting surface\u003c\/li\u003e\r\n \t\u003cli\u003eA variety of etching inks (Blick art, Gambling ink)\u003c\/li\u003e\r\n \t\u003cli\u003eprintmaking spatulas\u003c\/li\u003e\r\n \t\u003cli\u003e2-3 speedball rollers (Blick Art)\u003c\/li\u003e\r\n \t\u003cli\u003e1 plexiglass surface, or zinc or copper plate\u003c\/li\u003e\r\n \t\u003cli\u003e1 baren, or wood spoon for cooking\u003c\/li\u003e\r\n \t\u003cli\u003e\r\n\u003cdiv\u003e1 sand block (find in any hardware store)\u003c\/div\u003e\n\u003c\/li\u003e\r\n \t\u003cli\u003e\r\n\u003cdiv\u003e1 plastic round container (yogurt)\u003c\/div\u003e\n\u003c\/li\u003e\r\n \t\u003cli\u003e1 roll of paper towel\u003c\/li\u003e\r\n \t\u003cli\u003e1 container Alcohol (99 purity is ideal but can also be any other you find)\u003c\/li\u003e\r\n \t\u003cli\u003eA few cotton Q-tips for painting\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\nNote: Please be aware that shipping is often delayed due to the Covid-19 pandemic. You can find the art supplies required for this class at \u003ca href=\"http:\/\/www.dickblick.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.dickblick.com\u0026amp;source=gmail\u0026amp;ust=1617414077460000\u0026amp;usg=AFQjCNGZmrD-dtBU--j9MV41JQTjTdsZVA\"\u003eBlick Art Materials\u003c\/a\u003e and \u003ca href=\"https:\/\/www.talasonline.com\/\"\u003eTalas\u003c\/a\u003e as well as select items in CBA's own \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\"\u003eshop\u003c\/a\u003e!\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3 class=\"ql-indent-1\"\u003eSuggested reading:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli class=\"ql-indent-1\"\u003e\n\u003cem\u003eFreedom of the Presses: Artists’ Books in the Twenty-First Century\u003c\/em\u003e. Published by Booklyn, 2018.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003ca href=\"http:\/\/www.mveronicasanmartin.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.mveronicasanmartin.com\/\u0026amp;source=gmail\u0026amp;ust=1612029719720000\u0026amp;usg=AFQjCNEjC9sp5pv0tk-YsyLsWrquIM1ArA\"\u003eMaria Veronica San Martin\u003c\/a\u003e is a multidisciplinary Latin-American artist living in New York.\r\n\r\nShe has been a studio artist at the Whitney Museum, ISP (NYC), and a scholar at the Center for Book Arts (NYC) in addition to participating in many international art residencies.\r\n\r\nSan Martin has taught at the Center for Book Arts (NYC), Penland School of Craft (NC), Universidad de Chile, and Universidad Catolica de Chile.\r\n\r\nSince 2016, San Martín has been performing and lecturing her \u003cem\u003eMoving Memorial\u003c\/em\u003e and \u003cem\u003eDignidad\u003c\/em\u003e series at international museums, galleries, public libraries, universities, and schools.\r\n\r\nShe has exhibited nationally and internationally including at The Immigrant Artist Biennial in New York and has been awarded three Chilean grants as well as a NYFA grant.\r\n\r\nHer work in more than 60 collections including the Centre Pompidou (Paris), Metropolitan Museum (NYC), and The Walker Art Center (Minneapolis).\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054810780,"sku":"C 2022-05-16 IP 12","price":400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/debb9921-Screen-Shot-2021-08-18-at-9.36.14-AM.png?v=1751390220"},{"product_id":"letterpress-i-and-ii-intensive-2022","title":"Letterpress I and II Intensive 2022","description":"\u003ch3\u003eThis in-person, one-week intensive workshop takes place at CBA on Tuesday–Saturday, June 21–25 from 10am–4pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTuesday, June 21, 10am–4pm\u003c\/li\u003e\r\n\u003cli\u003eWednesday, June 22, 10am–4pm\u003c\/li\u003e\r\n\u003cli\u003eThursday, June 23, 10am–4pm\u003c\/li\u003e\r\n\u003cli\u003eFriday, June 24, 10am–4pm\u003c\/li\u003e\r\n\u003cli\u003eSaturday, June 25, 10am–4pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Tuesday, June 14 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis one-week intensive on letterpress printing is taught by artist and CBA Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/sarah-nicholls\"\u003eSarah Nicholls\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003eStudents will receive an overview of the history of letterpress, and an in-depth, hands-on immersion in the practice of printing, while producing their own work on CBA’s Vandercook presses. This workshop will offer a thorough introduction to studio tools, ink mixing, press operation, typesetting, image-making techniques, and edition printing. It is great for beginners or those who wish to gain additional experience with presses and refine their skills.Topics covered include working with both wood and metal type, adding decorative ornaments and borders, how to register multiple colors in one print, and experimental printmaking techniques on the Vandercook, including pressure printing and monoprinting. Students will come away with a wide variety of sample prints and small editions of their work to keep or share.\u003c\/p\u003e\r\n\u003cp\u003eThis class is ideal for anyone interested in the history of printing and design, people who want to print simple text-based projects such as business cards, posters, and\/or poetry and prose, as well as artists who want to learn to incorporate letterpress, relief printing, or text-based work into their practice.\u003c\/p\u003e\r\n\u003cp\u003eThis workshop is a combination of our Intro to Letterpress course and our Intro to Typography on Press (Letterpress 2). Class size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePencil and paper for taking notes\u003c\/li\u003e\r\n\u003cli\u003ePlease wear closed-toed shoes and clothes that can get stained or dirty\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials and tools will be provided by CBA at no additional cost to the students.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Sarah Nicholls\u003c\/h3\u003e\r\n\u003cp\u003eSarah Nicholls is an artist, printmaker, and writer whose work combines language, image, visual narrative, and time.\u003c\/p\u003e\r\n\u003cp\u003eHer ongoing projects on climate change, urban ecology, and the history of science and technology include a series of letterpress pamphlets as well as participatory programs like guided urban\/nature walks.\u003c\/p\u003e\r\n\u003cp\u003eNicholls’ limited edition artist’s books are in the collections of the Victoria \u0026amp; Albert Museum, the Brooklyn Museum, Columbia University, and Stanford, among others.\u003c\/p\u003e\r\n\u003cp\u003eHer work has received support from the Lower Manhattan Cultural Council, the Brooklyn Arts Council, and the Puffin Foundation, and she has participated in residencies at BRIC House in Brooklyn, the Chicago Center for Book and Paper Arts, and Guttenberg Arts in New Jersey.\u003c\/p\u003e\r\n\u003cp\u003eNicholls teaches letterpress and book arts at Pratt Institute and Parsons School of Design in New York City as well as the University of the Arts in Philadelphia.\u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/sarahnicholls.com\"\u003esarahnicholls.com\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054778012,"sku":"C 2022-06-21 IP 30","price":900.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/1977efe2-wood-type.jpg?v=1751390265"},{"product_id":"bookbinding-i-intro-to-softcover-binding-summer-2022","title":"Bookbinding I: Intro to Softcover Binding - Summer 2022","description":"\u003ch3\u003eThis three-session, in-person workshop takes place at CBA on Thursday evenings, June 23–July 21 (skips July 7 and 14th) from 4–9pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThursday, June 23, 4–9pm\u003c\/li\u003e\r\n\u003cli\u003eThursday, June 30, 4–9pm\u003c\/li\u003e\r\n\u003cli\u003eThursday, July 21, 4–9pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Tuesday, June 21 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor\u003ca href=\"http:\/\/centerforbookarts.org\/people\/amber-braverman\"\u003e Amber Braverman. \u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn this introductory class you will learn the basic use of bookbinding tools and materials, along with bookbinding structures. Students will learn about non-adhesive structures, bindings for single sheets, and other bindings that can be made with no specialized equipment. Structures covered include: One Minute Book; Soft Cover Accordion; Variations on the Pamphlet; Soft Cover Multi-Signiture (Linking Stitch).\u003c\/p\u003e\r\n\u003cp\u003eThis class is ideal for those who wish to learn simple forms for presenting work, or for building fundamental knowledge on bookbinding. Students will gain a foundational understanding of handling paper using the given equipment. The students will develop the skills needed to create a variety of soft cover books with simple bookbinding structures that will prepare them for creating more complex hardcover books. Along the way, students will learn about historical and contemporary uses of the learned techniques and structures in the book arts.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003eRequired Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\r\n\u003cp\u003ePencil and paper for note-taking\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eBookbinding awl*\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eBone folder*\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eOlfa silver knife and blades *, or exact-o knife\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eAll other materials and tools will be provided.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e*Materials with an asterisk next to them are available for purchase at CBA.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Amber Braverman\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/amber-braverman\"\u003eAmber Braverman\u003c\/a\u003e is the proprietor of Post Editions, a letterpress studio focused on collaboration with artists and writers.\u003c\/p\u003e\r\n\u003cp\u003eAs an educator, Braverman hopes to share her passion for the craft of printmaking with her students. She has been teaching letterpress printing, image-making, and book forms at CBA since 2006.\u003c\/p\u003e\r\n\u003cp\u003eShe began her journey into the world of book arts from a young age and studied letterpress printmaking through apprenticeship and job printing. She currently resides in Garrison, New York.  \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054581404,"sku":"C 2022-06-16 IP 15","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/0db39b86-BB1A-softcover.jpg?v=1751390253"},{"product_id":"letterpress-i-basic-press-operation-maintenance-2023","title":"Letterpress I: Basic Press Operation \u0026 Maintenance 2022","description":"\u003ch3\u003eThis in-person workshop takes place at CBA across four sessions on Mondays February 7, 14, 21, 28 from 6–9pm ET:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMon, Feb 7, 6–9pm ET\u003c\/li\u003e\r\n\u003cli\u003eMon, Feb 14, 6–9pm ET\u003c\/li\u003e\r\n\u003cli\u003eMon, Feb 21, 6–9pm ET\u003c\/li\u003e\r\n\u003cli\u003eMon, Feb 28, 6–9pm ET\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person beginner’s course on letterpress printing is taught by artist and CBA Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/roni-gross\"\u003eRoni Gross\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003eIn the workshop, students will learn the basics of hand typesetting, how to print on CBA's Vandercook presses, and the process of editioning. Gross will teach the essentials of printing hand-set type like inking and impression and selecting typefaces and paper. Additionally, Gross will lead show students how to properly clean up and maintain the presses for consistent results.\u003c\/p\u003e\r\n\u003cp\u003eThis class is ideal for those who wish to learn to print simple text-based projects on the Vandercooks such as business cards, correspondence cards, and\/or poetry and prose.\u003c\/p\u003e\r\n\u003cp\u003eClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePencil and paper for taking notes\u003c\/li\u003e\r\n\u003cli\u003ePlease wear closed-toed shoes and clothes that can get stained or dirty\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials and tools will be provided by CBA at no additional cost to the students.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/ronigross.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"\u003eRoni Gross\u003c\/a\u003e is a book artist whose work is in the collections of The Library of Congress, Harvard, Yale, and many other public and private collections. She runs Z’roah Press which produces limited edition sculptural books.\u003c\/p\u003e\r\n\u003cp\u003eGross has been an instructor at Center for Book Arts teaching letterpress technique and much more for a number of years. In 2019 she initiated the Book Talk series that continues to feature a diverse range of artists and scholars. You can learn more about upcoming and past \u003ca href=\"http:\/\/centerforbookarts.org\/events?cat=book-talk\"\u003eBook Talks here\u003c\/a\u003e by toggling between past and current in the right hand corner.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054646940,"sku":"C 2022-04-24 IP12","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/441354ab-IMG_8639-scaled.jpg?v=1751390282"},{"product_id":"linoleum-block-prints-2022","title":"Linoleum Block Prints 2022","description":"\u003ch3\u003eThis two-day, in-person workshop takes place at CBA on Saturday and Sunday, July 30–July 31, from 10:00 am–4:00 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSaturday, July 30, 10:00 am–4:00 pm\u003c\/li\u003e\r\n\u003cli\u003eSunday, July 31, 10:00 am–4:00 pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Saturday, July 23, at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/sarah-nicholls\"\u003eSarah Nicholls.\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003eStudents will get an intro to relief printmaking, including transferring images to your block, carving techniques, markmaking, color mixing and layering, ink choices, registration on press, and editioning tips. We will talk about both reductive and multiple block techniques. This class will be taught in person and we will use the Vandercook proof presses in class, but your lino blocks can also be printed by hand at home.\u003c\/p\u003e\r\n\u003cp\u003eBlock printing is the oldest form of printmaking, and is an enduring way to make bold, graphic illustrations. Linoleum makes this process an affordable and approachable medium. We will talk about transferring images to your block, carving techniques, markmaking, color mixing and layering, registration, and editioning tips. We will talk about both reductive and multiple block techniques. Linoleum is an excellent way to bring images and color into your prints. Students will leave with a small edition of prints, and the skills to work on their own at home. No previous experience required.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003eRequired Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSet of \u003ca href=\"https:\/\/artistcraftsman.com\/speedball-lino-set-no-1\/\"\u003elino cutters\u003c\/a\u003e with handle\u003c\/li\u003e\r\n\u003cli\u003eTracing paper\u003c\/li\u003e\r\n\u003cli\u003ePencil\u003c\/li\u003e\r\n\u003cli\u003eGloves for cleanup\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Sarah Nicholls\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/sarah-nicholls\"\u003eSarah Nicholls\u003c\/a\u003e is an artist, printmaker, and writer whose work combines language, image, visual narrative, and time.\u003c\/p\u003e\r\n\u003cp\u003eHer ongoing projects on climate change, urban ecology, and the history of science and technology include a series of letterpress pamphlets as well as participatory programs like guided urban\/nature walks.\u003c\/p\u003e\r\n\u003cp\u003eNicholls’ limited edition artist’s books are in the collections of the Victoria \u0026amp; Albert Museum, the Brooklyn Museum, Columbia University, and Stanford, among others.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054679708,"sku":"C 2022-07-30 IP 12","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/76e7bdeb-IMG_4891-scaled.jpg?v=1751390248"},{"product_id":"schools-out-bookmaking-for-families-2023","title":"School's Out! Bookmaking for Families 2022","description":"\u003ch3\u003eThis workshop takes place virtually via Zoom on Monday, January 17 (a school holiday) from 11am–12pm ET.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eMonday, January 17 11am–12pm ET\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop\u003c\/h3\u003e\r\nLooking for a fun and creative way to spend time as a family on a school holiday? Then register now for this virtual introductory workshop on book-making with everyday household materials for kids and parents led by Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-veronica-san-martin\"\u003eMaria Veronica San Martín\u003c\/a\u003e with her 8-year-old son!\r\n\r\nWorking together, families will learn to make a double accordion book—also known as the Dos-a-Dos structure—and then fill the pages with their own designs using colored pencils, crayons, pens, and\/or paints; collage; and\/or with guidance on how to use stencils and make rubbings. At the end of the workshop, participants will have a chance to present what they've created and everyone will discuss ideas for how families can continue this project on their own!\r\n\r\nClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired materials\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eSheets of regular white or colored paper\u003c\/li\u003e\r\n \t\u003cli\u003ePVA or Elmers glue + trays for glue\u003c\/li\u003e\r\n \t\u003cli\u003eA bonefolder\u003c\/li\u003e\r\n \t\u003cli\u003eA cutting surface\u003c\/li\u003e\r\n \t\u003cli\u003ePaint brushes\u003c\/li\u003e\r\n \t\u003cli\u003eA brayer (which is a mini ink\/glue\/paint roller)\u003c\/li\u003e\r\n \t\u003cli\u003eScissors or X-acto knife\u003c\/li\u003e\r\n \t\u003cli\u003eColored pencils, crayons, paint, and\/or pens\u003c\/li\u003e\r\n \t\u003cli\u003eWax paper\u003c\/li\u003e\r\n \t\u003cli\u003eEveryday items or toys with texture for making rubbings: coins, legos, leaves etc.\u003c\/li\u003e\r\n \t\u003cli\u003eCollage materials: magazines, photos, etc.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-veronica-san-martin\"\u003eMaria Veronica San Martín\u003c\/a\u003e is a multidisciplinary Latin-American artist living in New York.\r\n\r\nShe was a studio artist at the Whitney Museum, ISP (NYC), a scholar at the Center for Book Arts (NYC), and has participated in many international art residencies.\r\n\r\nSan Martín has taught at the Center for Book Arts (NYC), Penland School of Craft (NC), Universidad de Chile, and Universidad Catolica de Chile.\r\n\r\nShe has been performing and lecturing her \u003cem\u003eMoving Memorial\u003c\/em\u003e and \u003cem\u003eDignidad\u003c\/em\u003e series at international museums, galleries, public libraries, universities, and schools since 2016.\r\n\r\nSan Martín has exhibited nationally and internationally including at \u003cem\u003eThe Immigrant Artist Biennial\u003c\/em\u003e in New York, has been awarded three Chilean grants, a NYFA grant, and her work is in more than 60 collections including the Centre Pompidou (Paris), Metropolitan Museum (NYC) and The Walker Art Center (Minneapolis).\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054843548,"sku":"C 2022-02-01 V 1","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/c7c38a7f-Screen-Shot-2021-04-29-at-7.56.54-PM.png?v=1751390232"},{"product_id":"bookbinding-ii-intro-to-hardcover-summer-2022","title":"Bookbinding II: Intro to Hardcover - Summer 2022","description":"\u003ch3\u003eThis two-day, in-person workshop takes place at CBA on Saturday and Sunday, July 30 and 31, from 11:00am–5:00pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eSaturday, July 30, 11am–5pm\u003c\/li\u003e\r\n \t\u003cli\u003eSunday, July 31, 11am–5pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Wednesday, July 27 at 11:59 pm.\u003c\/h3\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nThis in-person class at Center for Book Arts is taught by instructor \u003ca href=\"%E2%80%9Chttp:\/\/centerforbookarts.org\/people\/sarah-smith%E2%80%9D\"\u003eSarah Smith.\u003c\/a\u003e\r\n\r\nIn this beginning hardcover bookbinding class, you will learn to make several different hardcover bindings. Students will gain a foundational understanding of hardcover bookbinding including how the structure beneath the cover can affect the final result. Students will develop the skills needed to create a variety of hardcover books that will prepare them for building more complex hardcover designs such as the inboard cloth-bound book. In the process, students will learn about the historical and contemporary uses of the structures learned in the book arts and artist books.\r\n\r\n\u003cem\u003e*Prerequisites: Bookbinding 1 or equivalent\u003c\/em\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\nAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e.\r\n\r\nRequired Materials:\r\n\u003cul\u003e\r\n \t\u003cli\u003ePencil and paper for note-taking\u003c\/li\u003e\r\n \t\u003cli\u003eBookbinding awl*\u003c\/li\u003e\r\n \t\u003cli\u003eBone folder*\u003c\/li\u003e\r\n \t\u003cli\u003eOlfa silver knife and blades*, or exact-o knife.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\nAll other materials will be provided by Center for Book Arts at no additional cost. Materials with an asterisk next to them are available for purchase at CBA.\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout Sarah Smith\u003c\/h3\u003e\r\n\u003ca href=\"%E2%80%9Chttp:\/\/centerforbookarts.org\/people\/sarah-smith%E2%80%9D\"\u003eSarah Smith,\u003c\/a\u003e (b.1990) is from a small town in Southeastern New Mexico. In 2008 Smith moved to New York to attend Parsons School of Design, where she graduated in 2012 with a BFA in communication design.\r\n\r\nAfter graduating from Parsons, Smith went on to apprentice at The Center For Book Arts in Manhattan, as well as various other fine art print shops in New York City. After completing apprenticeships to hone her bookmaking and printing skills, Smith went on to work as a bookbinder and studio manager for Small Editions in Brooklyn, NY from 2013 – 2019.\r\n\r\nThe Center for Book Arts in New York, NY was integral to building Smith’s foundation in the book arts community post grad. In 2016, CBA invited her to become a teacher, where she currently conducts classes. Additionally she has taught at Printed Matter and Cooper Union.\r\n\r\n \r\n\r\n\u003chr\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060054614172,"sku":"C 2022-07-30 IP 12-1","price":450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/63be3b55-Bookbinding-Materials-2400px-scaled-1.jpg?v=1751390240"},{"product_id":"pochoir-printing-2024","title":"Pochoir Printing 2022","description":"\u003ch3\u003eThis virtual workshop takes place via Zoom on Monday, April 25 from 6–8pm ET:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eMon, Apr 25 6–8pm ET\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nInstructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beth-sheehan\"\u003eBeth Sheehan\u003c\/a\u003e leads this virtual workshop for all experience levels on pochoir printing. Pochoir is a stenciling technique that is versatile and can be done with so many materials. Sheehan will guide students through creating reusable, registered stencils out of flexible materials like Mylar—which can be used to print on a wide variety of surfaces. Sheehan will also cover the basics of color theory, empowering participants to mix and blend colors as well as create gradients. Over the course of the workshop, participants will learn to layer their stencils to produce an image of their own choosing.\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003e3-10 sheets of paper of your choosing to print on\u003c\/li\u003e\r\n \t\u003cli\u003e3-5 sheets of stencil material (Mylar is recommended, but most paper works well also)\u003c\/li\u003e\r\n \t\u003cli\u003eSponge brushes or make-up wedges\u003c\/li\u003e\r\n \t\u003cli\u003ePaint or ink (acrylic paint or water-based relief inks are the best choices)\u003c\/li\u003e\r\n \t\u003cli\u003ePencil\u003c\/li\u003e\r\n \t\u003cli\u003eSharpie or permanent marker\u003c\/li\u003e\r\n \t\u003cli\u003eImages or drawings for stencil-making\u003c\/li\u003e\r\n \t\u003cli\u003eTape (painters tape or masking tape are preferred)\u003c\/li\u003e\r\n \t\u003cli\u003eX-acto, Olfa knife, or scalpel\u003c\/li\u003e\r\n \t\u003cli\u003eCutting mat\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003ca href=\"http:\/\/centerforbookarts.org\/people\/beth-sheehan\"\u003eElizabeth (Beth) Sheehan\u003c\/a\u003e is a printmaker, papermaking, and book artist living in Tuscaloosa, Alabama. Her work investigates ideas of memory and perception to explore her own lack of episodic memory. Her work has been exhibited internationally and is held in public collections including the Metropolitan Museum of Art, The Center for Book Arts, and the San Francisco Public Library. Sheehan has worked as a professional printer at Durham Press in Pennsylvania and at Harlan and Weaver in New York. She was also the Lead Binder and Bindery Manager at Small Editions in Brooklyn and teaches paper, print, and book workshops around the country.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060056449180,"sku":"C 2022-11-30 V 2","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/10d5a493-Pochoir-scaled.jpg?v=1751389869"},{"product_id":"the-flag-book-a-travel-quest-2023","title":"The Flag Book: A Travel Quest 2022","description":"\u003ch3\u003eThis workshop takes place virtually via Zoom on Tuesday, January 25 from 12-2pm ET.\u003c\/h3\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nThe pandemic may have limited your ability to travel to new places, but you can still go on a creative adventure in this virtual flag-book workshop for students 18+ years of age who with some book-making experience. The workshop is led by longtime CBA Instructor—and intrepid tour guide—\u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-g-pisano\"\u003eMaria G. Pisano\u003c\/a\u003e.\r\n\r\nOriginally created by artist \u003ca href=\"http:\/\/centerforbookarts.org\/people\/hedi-kyle\"\u003eHedi Kyle\u003c\/a\u003e, the flag book form has pages that criss-cross each other when the book opens and closes—creating excitement, movement, and interactivity. Students in this course will design their own 3-dimensional flag book by collaging travel-related images of their own choosing across the pages and covers. Each person will complete a truly unique travel-inspired work of art!\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eTravel-inspired collage materials of your choosing*\u003c\/li\u003e\r\n \t\u003cli\u003e10 images\/photos for the pages \u0026amp; cover\u003c\/li\u003e\r\n \t\u003cli\u003e9 images 2” H x 4.5\" W for the pages\u003c\/li\u003e\r\n \t\u003cli\u003e1 or more images any size, to fit front cover that measures 5.5\" W x 8.5\" H\u003c\/li\u003e\r\n \t\u003cli\u003eCover weight\/cardstock (65lb) paper for covers\/support and pages:\r\ntwo colors, light for pages and darker for covers\/support\u003c\/li\u003e\r\n \t\u003cli\u003e9 flags\/pages per book:\r\nCut 6 flags – 5” W x 2.25\" H\r\nCut 3 flags – 5” W x 2.5\" H\u003c\/li\u003e\r\n \t\u003cli\u003eCovers + support – 3 pages in the same color – each 8.5\" x 11\"\u003c\/li\u003e\r\n \t\u003cli\u003eWhite scrap paper for protecting your working surface when gluing and\/or for stencils\u003c\/li\u003e\r\n \t\u003cli\u003eSelf-healing mat\u003c\/li\u003e\r\n \t\u003cli\u003eX-acto or small snap blade knife\u003c\/li\u003e\r\n \t\u003cli\u003eScissors\u003c\/li\u003e\r\n \t\u003cli\u003eBone folder or popsicle sticks\u003c\/li\u003e\r\n \t\u003cli\u003eGlue stick or double sided tape\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n*Students should come prepared with their own collage materials inspired by travel. Some items that would be appropriate include images of places you have visited and\/or places you would like to visit—real or imagined; maps of cities, countries, continents, planets; photos of yourself and\/or family and friends (or anyone) you want to travel with; travel ephemera like postcards and ticket stubs; and whatever else you would like to include! If you do not want to use the original items, please make copies.\r\n\u003ch3\u003eOptional Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eColored pencils, stamp pads, and make-up sponges can be used to add more decorative elements to your book.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-g-pisano\"\u003eMaria G. Pisano\u003c\/a\u003e is a book artist, printmaker, curator, and educator.\r\n\r\nHer \u003cem\u003eMemory Press\u003c\/em\u003e works are represented in The Library of Congress, 9-11 Memorial Museum, Carnegie Mellon University, Columbia University, Lafayette College, University of Delaware, Wesleyan University, and many more. Ms. Pisano has exhibited widely—including a solo exhibition titled \u003cem\u003eReflections: Artist Books and Works on Paper\u003c\/em\u003e.\r\n\r\nOver the years she has curated a number of exhibitions at Center for Book Arts in NYC, such as \u003ca href=\"http:\/\/centerforbookarts.org\/book-as-witness-the-artists-response-exhibition\"\u003e\u003cem\u003eBook as Witness: The Artist’s Response\u003c\/em\u003e\u003c\/a\u003e. In 2021 she curated \u003cem\u003eCrossroads\u003c\/em\u003e at the Hunterdon Museum of Art in New Jersey.\r\n\r\nMs. Pisano contributes to book arts publications and has presented lectures at the Library of Congress, College Book Arts Association, and the Art Libraries Society of North America. Her article \u003cem\u003eMark To Impress\u003c\/em\u003e was published in \u003cem\u003eCalifornia Society of Printmakers 2018 Journal\u003c\/em\u003e and 2019 in \u003cem\u003eThe Blue Notebook\u003c\/em\u003e in the UK.\r\n\r\nShe continuously teaches workshops nationally and internationally at venues including the Bridwell Library in Dallas TX, Hand Bookbinders of California, and Center for Book Arts in NYC.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060056613020,"sku":"C 2022-12-09 V 2","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/249d80b2-Pisano-Garden-Flag-BK-1536x850-1.jpg?v=1751389849"},{"product_id":"embroidery-on-and-off-the-page-2023","title":"Embroidery On and Off the Page 2022","description":"\u003ch3\u003eThis one-day, virtual workshop takes place on Zoom on Tuesday, August 16, from 6:00pm–8:00pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTuesday, August 16, 6:00pm–8:00pm ET. \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Tuesday, August 9 at 11:59pm. The last day to order a Materials Kit for this workshop is Tuesday, August 9.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/iviva-olenick\"\u003eIviva Olenick\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn this two-hour virtual workshop for beginners, Instructor Iviva Olenick will teach students a variety of embroidery stitches including satin stitch, backstitch, split stitch, chain stitch, and stem stitch. These stitches can be done on either fabric or paper—and Olenick will discuss techniques for stitching on unconventional materials like cardboard and plastic.\u003c\/p\u003e\r\n\u003cp\u003eThe class will also explore how embroidery can be applied to the book arts. Stitching can be used to create text, images, and designs. It is also possible to make work by piercing or poking holes into paper without using thread at all. The Instructor will also offer advice for transferring drawings and\/or text onto fabric or paper from a digital or printed source.\u003c\/p\u003e\r\n\u003cp\u003eClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eParticipants are highly encouraged to purchase \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\/tools\/embroidery-on-and-off-the-page-materials-kit-2\"\u003ethe materials kit\u003c\/a\u003e for this workshop.\u003c\/p\u003e\r\n\u003cp\u003eIf you do not purchase the materials kit, you will need the following:  \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePencil\u003c\/li\u003e\r\n\u003cli\u003eSize 18-22 chenille needles\u003c\/li\u003e\r\n\u003cli\u003ePlain, woven fabric (Instructor recommends cotton muslin)\u003c\/li\u003e\r\n\u003cli\u003ePaper that can be used for needlework\u003c\/li\u003e\r\n\u003cli\u003eSewing or embroidery thread (Instructor recommends DMC brand thread)\u003c\/li\u003e\r\n\u003cli\u003ePellon ultra-lightweight fusible interfacing\u003c\/li\u003e\r\n\u003cli\u003ePellon ultra-firm fusible interfacing\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eOptional Materials:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eEmbroidery hoop\u003c\/li\u003e\r\n\u003cli\u003eErasable or heat erasable pens for fabric\u003c\/li\u003e\r\n\u003cli\u003eNeedle threader\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Iviva Olenick\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/iviva-olenick\"\u003eIviva Olenick \u003c\/a\u003eis a Brooklyn-based artist developing textiles from seed to fiber and dye and using textiles as texts.\u003c\/p\u003e\r\n\u003cp\u003eHer work has been exhibited all over the United States, including the Philadelphia Museum of Art; Museum of Design Atlanta; the Hunterdon Museum, NJ; Sugar Hill Children’s Museum of Art \u0026amp; Storytelling, NYC; the Center for Book Arts, NYC; the Old Stone House, Brooklyn; Wyckoff House Museum, Brooklyn.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph --\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060056580252,"sku":"C 2022-12-13 V 2","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/e978e18f-Olenick_Iviva_Home-Brew-Healthcare.jpg?v=1751389855"},{"product_id":"introduction-to-digital-typography-and-lettering-spring-2023","title":"Introduction to Digital Typography and Lettering (Spring 2023)","description":"\u003cdiv\u003e\r\n\u003ch3\u003eThis four-day, in person workshop takes place at CBA on Tuesdays, January 17–February 7 from 6-8pm ET.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTuesday, January 17th, 6pm-8pm ET\u003c\/li\u003e\r\n\u003cli\u003eTuesday, January 24th, 6pm-8pm ET\u003c\/li\u003e\r\n\u003cli\u003eTuesday, January 30th, 6pm-8pm ET\u003c\/li\u003e\r\n\u003cli\u003eTuesday, February 7th, 6pm-8pm ET\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cem\u003eRegistration for this workshop closes January 10 at 11:59pm.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003chr\u003e\n\u003c\/div\u003e\r\n\u003ch2\u003eAbout the Workshop:\u003c\/h2\u003e\r\n\u003cp\u003e\"Why design more letterforms?\" \"Why make new fonts?\"\u003c\/p\u003e\r\n\u003cp\u003eWe would never ask \"why do we keep making music\"? Yet the question is asked consistently about why type designers and lettering artists produce new fonts and lettering. Typography, like music, is an ever evolving reflection of the human condition and our need to express ourselves to one another. While this class probably won't illuminate the deeper mysteries of the human need to communicate, it will elucidate the technical processes by which we produce letterforms and digital typography.\u003c\/p\u003e\r\n\u003cp\u003eIn this four-session course, students will gain an understanding of digital lettering processes using Glyphs (type design software). Students will draw a basic character-set, learning spacing and testing techniques along the way. Students will have their work reviewed and critiqued by fellow students and the instructor.\u003c\/p\u003e\r\n\u003cp\u003e  There are a total of 12 spots open in this small-group workshop. If you cannot comfortably pay tuition but are interested in taking this class, please consider filling out our \u003ca class=\"c-link\" href=\"http:\/\/centerforbookarts.org\/opportunities\/scholarships\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"http:\/\/centerforbookarts.org\/opportunities\/scholarships\" data-sk=\"tooltip_parent\"\u003efinancial assistance application here\u003c\/a\u003e. We will notify you of your scholarship status before the start date of the class.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/mirkovelimirovic.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"\u003eMirko Velimirovic\u003c\/a\u003e is a Lettering Artist, Type Designer, and Font Engineer working in NYC. Currently he contributes work to Darden studio, and open source variable font projects on Github. In 2019 through January of 2020 he was the chapter lead of Type Thursday NYC. He has guest lectured in classes on type design at SVA, and ECUAD. When he’s not doing calligraphy, he spends his time wrangling difficult software problems in FOSS and NDA font projects. The rest of the time he spends entertaining his two cats.\u003c\/p\u003e\r\n\u003cdiv\u003e\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph \/--\u003e\u003c\/p\u003e\r\n\u003cem\u003eTop image: detail of Mirko Velimirovic, Digital Typography and Lettering. All images courtesy of the instructor.\u003c\/em\u003e\n\u003c\/div\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060056645788,"sku":"C 2023-02-07 IP 8 2","price":280.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/f35a9282-class2_MirkoVelimirovic_2020_800x800_7ad76ee5-5d63-4d1f-991b-2fbae667b8f1.png?v=1751389833"},{"product_id":"coptic-notebook-fall-2022","title":"Coptic Notebook - Fall 2022","description":"\u003ch3\u003eThis one-day, online workshop takes place on Zoom on Monday, December 19, from 6pm—8pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMonday, December 19, 6 pm — 8 pm ET\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Monday, December 12 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis online class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beth-sheehan\"\u003eBeth Sheehan\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003eCoptic stitch – one of the oldest and useful book structures – is a simple sewn book that is extremely flexible. Because of its ability to fold back onto itself, it is the perfect structure for sketchbooks, journals, and datebooks. By the end of this two-hour workshop, participants will each have their own soft-cover coptic book!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eRequired Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eText pages, any number of signatures (text weight; I will be using 8.5×11 copy paper, 5 signatures with 6 pages per signature.)\u003c\/li\u003e\r\n\u003cli\u003eCover paper, 2 sheets, same height as text pages but slightly longer (decorative paper any weight will work but text weight or thin cardstock is best. I will be using 2 sheets of 91# text weight Colorplan paper, 8.5”x17”)\u003c\/li\u003e\r\n\u003cli\u003e4 curved needles\u003c\/li\u003e\r\n\u003cli\u003eBookbinding thread\u003c\/li\u003e\r\n\u003cli\u003eBookbinding awl\u003c\/li\u003e\r\n\u003cli\u003ePencil\u003c\/li\u003e\r\n\u003cli\u003eRuler\u003c\/li\u003e\r\n\u003cli\u003eCutting tool (X-acto, Olfa knife, scalpel, etc.)\u003c\/li\u003e\r\n\u003cli\u003eCutting mat\u003c\/li\u003e\r\n\u003cli\u003eGlue stick or double-stick tape\u003c\/li\u003e\r\n\u003cli\u003eScrap paper\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Beth Sheehan\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/beth-sheehan\"\u003eElizabeth (Beth) Sheehan\u003c\/a\u003e is a printmaker, papermaking, and book artist living in Tuscaloosa, Alabama. Her work investigates ideas of memory and perception to explore her own lack of episodic memory. Her work has been exhibited internationally and is held in public collections including the Metropolitan Museum of Art, The Center for Book Arts, and the San Francisco Public Library. Sheehan has worked as a professional printer at Durham Press in Pennsylvania and at Harlan and Weaver in New York. She was also the Lead Binder and Bindery Manager at Small Editions in Brooklyn and teaches paper, print, and book workshops around the country.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph \/--\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060056711324,"sku":"C 2022-12-19 V 2","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/0cc93cd6-Beth-Sheehan-coptic-binding.jpg?v=1751389844"},{"product_id":"bookmaking-from-home-fall-2022","title":"Bookmaking from Home (Fall 2022)","description":"\u003ch3\u003eThis four-day, virtual workshop takes place on Zoom on Tuesday–Thursday December 5, 6, and 7, from 6pm–8pm.\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eTuesday, December 5, 6pm–8pm\u003c\/li\u003e\n\u003cli\u003eWednesday, December 6, 6pm–8pm\u003c\/li\u003e\n\u003cli\u003eThursday, December 7, 6pm–8pm\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003ePlease Note: Registration for this workshop closes on Tuesday, November 28 at 11:59pm.\u003c\/h3\u003e\u003chr\u003e\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\u003cp\u003eThis virtual workshop at Center for Book Arts is taught by instructor\u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-veronica-san-martin\"\u003e Maria Veronica San Martin.\u003c\/a\u003e\u003c\/p\u003e\u003cp\u003eWant to make a special one-of-a-kind book to gift to someone (or yourself) this summer? Then Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-veronica-san-martin\"\u003eMaria Veronica San Martin\u003c\/a\u003e‘s online course for all experience levels on how to conceptualize and make your own artist book is the perfect fit for you!\u003c\/p\u003e\u003cp\u003eThe course begins with a contextual lesson on the book as an artistic medium – helping provide students with inspiration for their own work.\u003c\/p\u003e\u003cp\u003eThen the class transitions to art-making – including learning the do’s and don’t of accordion book structure, the technique of monoprints on plexiglass, and the creation and construction of a flag book.\u003c\/p\u003e\u003cp\u003eBy the end of the course, each student will have created their own artist book and the class will engage in a final critique and discussion of all the work produced!\u003c\/p\u003e\u003cp\u003eClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\u003c\/p\u003e\u003chr\u003e\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\u003cul\u003e\u003cli style=\"list-style-type: none\"\u003e\n\u003cul\u003e\n\u003cli\u003e2 Book Board 0.098\u003c\/li\u003e\n\u003cli\u003eA variety of book-cloths\u003c\/li\u003e\n\u003cli\u003ePVA glue with brushes, rollers or sponge brushes\u003c\/li\u003e\n\u003cli\u003e5-10 Printmaking paper like BFK or Arches, white or cream\u003c\/li\u003e\n\u003cli\u003e1 bonefolder\u003c\/li\u003e\n\u003cli\u003e1 roll of wax paper\u003c\/li\u003e\n\u003cli\u003e1 exacto knife\u003c\/li\u003e\n\u003cli\u003e1 ruler and square\u003c\/li\u003e\n\u003cli\u003e1 cutting surface\u003c\/li\u003e\n\u003cli\u003eA variety of etching inks (Blick art, Gambling ink)\u003c\/li\u003e\n\u003cli\u003eprintmaking spatulas\u003c\/li\u003e\n\u003cli\u003e2-3 speedball rollers (Blick Art)\u003c\/li\u003e\n\u003cli\u003e1 plexiglass surface, or zinc or copper plate\u003c\/li\u003e\n\u003cli\u003e1 baren, or wood spoon for cooking\u003c\/li\u003e\n\u003cli\u003e\u003cdiv\u003e1 sand block (find in any hardware store)\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv\u003e1 plastic round container (yogurt)\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e1 roll of paper towel\u003c\/li\u003e\n\u003cli\u003e1 container Alcohol (99 purity is ideal but can also be any other you find)\u003c\/li\u003e\n\u003cli\u003eA few cotton Q-tips for painting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNote: You can find the art supplies required for this class at \u003ca href=\"http:\/\/www.dickblick.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.dickblick.com\u0026amp;source=gmail\u0026amp;ust=1617414077460000\u0026amp;usg=AFQjCNGZmrD-dtBU--j9MV41JQTjTdsZVA\"\u003eBlick Art Materials\u003c\/a\u003e and \u003ca href=\"https:\/\/www.talasonline.com\/\"\u003eTalas\u003c\/a\u003e as well as select items in CBA’s own \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\"\u003eshop\u003c\/a\u003e!\u003c\/p\u003e\n\u003c\/li\u003e\u003c\/ul\u003e\u003chr\u003e\u003ch3\u003eAbout Maria Veronica San Martin\u003c\/h3\u003e\u003cp\u003e\u003ca href=\"http:\/\/www.mveronicasanmartin.com\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.mveronicasanmartin.com\/\u0026amp;source=gmail\u0026amp;ust=1612029719720000\u0026amp;usg=AFQjCNEjC9sp5pv0tk-YsyLsWrquIM1ArA\"\u003eMaria Veronica San Martin\u003c\/a\u003e is a multidisciplinary Latin-American artist living in New York.\u003c\/p\u003e\u003cp\u003eShe has been a studio artist at the Whitney Museum, ISP (NYC), and a scholar at the Center for Book Arts (NYC) in addition to participating in many international art residencies.\u003c\/p\u003e\u003cp\u003eSan Martin has taught at the Center for Book Arts (NYC), Penland School of Craft (NC), Universidad de Chile, and Universidad Catolica de Chile.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003chr\u003e\u003cp\u003e\u003c!-- wp:paragraph \/--\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060056744092,"sku":"C 2022-09-02 V 8-1","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/02be299a-29B_10E_6775501_3336964196_3.jpg?v=1751389826"},{"product_id":"vandercook-maintenance-summer-2023","title":"Vandercook Maintenance (Summer 2023)","description":"\u003ch3\u003eThis in-person workshop takes place at CBA across a weekend intensive on Saturday \u0026amp; Sunday, July 29 and 30, from 10am–4pm:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSat, July 29, 10am–4pm\u003c\/li\u003e\r\n\u003cli\u003eSun, July 30, 10am–4pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease note that registration for this workshop ends on July 22 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person beginner’s course on press maintenance is taught by CBA Instructor Paul Moxon.\u003c\/p\u003e\r\n\u003cp\u003eParticipants will learn all the points of maintenance, cleaning, and lubrication of the Vandercook press so as to be prepared for potential problems and repairs. The class will also discuss all models of interest and other brands as warranted. Whether you use studio presses, own a press, or are thinking of buying one, this workshop will provide excellent guidance. Bring your questions, photos and\/or broken parts. Paul will also share examples from his collection of Vandercook literature.\u003c\/p\u003e\r\n\u003cp\u003eClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePlease wear closed-toed shoes and clothes that can get stained or dirty, or an apron. Students will com ein contact with the presses, including the presses' oil and grime. \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials and tools will be provided by CBA at no additional cost to the students.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cp\u003ePaul Moxon is a studio letterpress printer and independent educator (MFA, MLIS Alabama). He has lectured at over sixty book arts centers and universities through the U.S. and Canada. He is the author of Vandercook Presses: Maintenance, History and Resources and moderates \u003ca href=\"http:\/\/vandercookpress.info\"\u003evandercookpress.info\u003c\/a\u003e. Paul is the website editor for the American Printing History Association and has held fellowships at Rare Book School and the Newberry Library. His letterpress work can be found in several public collections and at \u003ca href=\"http:\/\/fameorshame.com\"\u003efameorshame.com\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060056678556,"sku":"C 2023-07-30 IP 12","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/603c1884-Moxon-1-e1683390853911.jpg?v=1751389830"},{"product_id":"studio-rental-training-course-spring-2022-copy","title":"Studio Rental Training Course (Spring 2022) (Copy)","description":"\u003cdiv class=\"g-group l-lg-mar-bot-6 l-md-mar-bot-4 \"\u003e\r\n\u003cdiv class=\"g-cell g-cell-10-12 g-cell-md-1-1\"\u003e\r\n\u003cdiv class=\"has-user-generated-content\"\u003e\r\n\u003cdiv class=\"g-group l-lg-mar-bot-6 l-md-mar-bot-4 \"\u003e\r\n\u003cdiv class=\"g-cell g-cell-10-12 g-cell-md-1-1\"\u003e\r\n\r\nThis 1.5 hour in-person training course takes place at CBA at a date and time determined by the Instructor and trainee during April, May, and June, on a Wednesday, Friday, or Saturday (other weekdays also possible under special circumstances).\r\n\r\nPlease note that all persons are required to show proof of vaccination against the Covid-19 virus upon entering CBA and wear a mask covering the nose and mouth at all times while on-site. If you have a medical or religious exemption to the vaccine, please email CBA Executive Director \u003ca href=\"http:\/\/centerforbookarts.org\/people\/corina-reynolds\"\u003eCorina Reynolds\u003c\/a\u003e at \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e in advance of registering for the training.\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout\u003c\/h3\u003e\r\nThis in-person training course is for individuals with pre-existing letterpress and\/or bookbinding experience who want to \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/studio\"\u003erent studio time\u003c\/a\u003e at CBA and gain access to our printshop, bindery, and specialized \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/studio\"\u003eequipment\u003c\/a\u003e.\r\n\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"g-group l-mar-bot-6 l-sm-mar-bot-4\"\u003e\r\n\u003cdiv class=\"structured-content g-cell g-cell-10-12 g-cell-md-1-1\"\u003e\r\n\u003cdiv class=\"has-user-generated-content\" data-automation=\"about-this-event-sc\"\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e\r\n\u003cdiv class=\"structured-content__module l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e\r\n\r\nPotential renters must have enough experience—either through classes taken at CBA or comparable ones elsewhere—to safely work with our equipment.\r\n\r\nThe training covers:\r\n\u003cul\u003e\r\n \t\u003cli\u003eStudio policies\u003c\/li\u003e\r\n \t\u003cli\u003eHow to reserve time in the studio and on presses\u003c\/li\u003e\r\n \t\u003cli\u003eBasic press maintenance\u003c\/li\u003e\r\n \t\u003cli\u003eHow to use our guillotine, board shears, and presses safely\u003c\/li\u003e\r\n \t\u003cli\u003eClean up procedures\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\nAfter completing this course, individuals can sign up for supervised printing and can reserve time in the bindery. All renters are required to print with supervision until they receive approval from a supervisor to print unsupervised.\r\n\r\nClick \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/studio\"\u003ehere\u003c\/a\u003e for more information about studio rental and supervised printing, including pricing.\r\n\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060056776860,"sku":"C 2022-03-25 IP 1.5-1","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/afa24a11-IMG_8643-scaled.jpg?v=1751389818"},{"product_id":"book-ornamentation-theory-and-practice-2022","title":"Book Ornamentation: Theory and Practice 2022","description":"\u003ch3\u003eThis three-day, virtual workshop takes place on Zoom on Fridays, January 13–27, from 3:00 pm—5:00 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eJanuary 13, 3:00pm—5:00pm\u003c\/li\u003e\r\n\u003cli\u003eJanuary 20, 3:00pm—5:00pm\u003c\/li\u003e\r\n\u003cli\u003eJanuary 27, 3:00pm—5:00pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on January 6, at 11:59 pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis virtual class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/mirko-velimirovic\"\u003eMirko Velimirovic.\u003c\/a\u003e In this three-session course, students will gain an understanding of the history and process of book ornamentation.\u003c\/p\u003e\r\n\u003cp\u003eStudents will learn how to hand draw their ornaments and later digitize them using the Glyphs software app. Students will also learn how to make a font out of their original ornaments. By the end of the class, there will be time for students to have their work reviewed and consulted by other students and the instructor. This class will also include further readings, additional content and homework assignments for students to practice what they’ve learned and to further students’ understanding of concepts.\u003c\/p\u003e\r\n\u003cp\u003eStudent should come prepared to class with access to Adobe Illustrator and a Glyphs license, and should go through the series of tutorials on the website before the first day of class. The app offers a 30 day free trial and for purchase.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e. Required Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eGlyphs software app\u003c\/li\u003e\r\n\u003cli\u003eAdobe Illustrator\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Mirko Velimirovic\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"%E2%80%9C[bio\"\u003eMirko Velimirovic\u003c\/a\u003e is a Lettering Artist, Type Designer, and Font Engineer working in NYC. Currently he contributes work to Darden studio, and open source variable font projects on Github. In 2019 through January of 2020 he was the chapter lead of Type Thursday NYC.\u003c\/p\u003e\r\n\u003cp\u003eHe has guest lectured in classes on type design at SVA, and ECUAD. When he’s not doing calligraphy, he spends his time wrangling difficult software problems in FOSS and NDA font projects. The rest of the time he spends entertaining his two cats.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060058808476,"sku":"C 2022-11-18 V 6","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/29c639cb-Screen-Shot-2022-08-26-at-2.11.08-PM.png?v=1751389717"},{"product_id":"altering-the-page-accordion-book-with-collage-2023","title":"Altering the Page: Accordion Book with Collage 2023","description":"\u003ch3\u003eThis one-day, virtual workshop takes place on Zoom on Wednesday, January 18, from 1:00 pm–3:30 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWednesday, January 18, 1:00 pm – 3:30 pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cem\u003ePlease Note: Registration for this workshop closes on January 10, at 11:59 pm.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis online class is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-g-pisano\"\u003eMaria G. Pisano.\u003c\/a\u003e The accordion book structure is a flexible form that can be adapted to many book themes, and one is the Altered Page Book.\u003c\/p\u003e\r\n\u003cp\u003eA blank page holds a lot of potential, one can alter it via folding, cutting, collaging, adding and subtracting parts, and more. Learn about sequencing, layering and folding to arrive at your pages. These in turn will be assembled to become part of an accordion book you have created with your unique designs.\u003c\/p\u003e\r\n\u003cp\u003eDo you acquire and save ephemera in your travels and daily life, do you have lots of beautiful papers and scraps that you saved for a special project, any old prints that you want to repurpose? We will use all your stored riches to collage the pages and create a new book work to store them in.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBasic bookbinding kit\u003c\/li\u003e\r\n\u003cli\u003ecollage materials such as decorated pages, your own or purchased, handmade papers, paste papers, ephemera, old print proofs, etc\u003c\/li\u003e\r\n\u003cli\u003eCover weight\/cardstock (65lb) paper for covers, spine and pages\u003c\/li\u003e\r\n\u003cli\u003eMulticolor, light for pages and darker for covers and spine \u003c\/li\u003e\r\n\u003cli\u003eCovers and Spine – 3 pages – each 8.5 x 11\u003c\/li\u003e\r\n\u003cli\u003e\u2028Pages - 4 or more also measuring 8.5 x 11\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Maria G. Pisano\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-g-pisano\"\u003eMaria G. Pisano\u003c\/a\u003e (she\/her) is a book artist, printmaker, curator, and educator.\u003c\/p\u003e\r\n\u003cp\u003eHer \u003cem\u003eMemory Press\u003c\/em\u003e works are represented in the Library of Congress, 9-11 Memorial Museum, Carnegie Mellon University, Columbia University, Lafayette College, University of Delaware, Wesleyan University, and many more.\u003c\/p\u003e\r\n\u003cp\u003eMs. Pisano has exhibited widely—including a solo exhibition titled \u003cem\u003eReflections: Artist Books and Works on Paper\u003c\/em\u003e. Over the years she has curated a number of exhibitions at Center for Book Arts in NYC, such as \u003ca href=\"http:\/\/centerforbookarts.org\/book-as-witness-the-artists-response-exhibition\"\u003e\u003cem\u003eBook as Witness: The Artist’s Response\u003c\/em\u003e\u003c\/a\u003e. In 2021 she curated \u003cem\u003eCrossroads\u003c\/em\u003e at the Hunterdon Museum of Art in New Jersey.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060058775708,"sku":"C 2023-01-18 V 3","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/6ce9b722-Pisano_Altering-the-Page-3_2023.jpg?v=1751389805"},{"product_id":"young-book-artists-in-collaboration-with-their-parents-spring-2023","title":"Young Book Artists in Collaboration with Their Parents (Spring 2023)","description":"\u003ch3\u003eThis one-day, in-person workshop takes place at Center for Book Arts on Saturday, January 28, from 10:30am—1:00pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSaturday, January 28, 10:30am–1:00pm ET.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Saturday, January 21 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-veronica-san-martin\"\u003eMaria Veronica San Martín.\u003c\/a\u003e In this workshop for kids (aged 8-13) and parents, students will explore the concept and making of a double accordion book or Dos-i-Do structure inspired by materials, methods and perspectives that will be presented by the instructor and her 8 years old son in the bindery studio at Center for Book Arts. \u003c\/p\u003e\r\n\u003cp\u003eThe course will focus on how to construct a simple but 3-D book with basic materials, by using printmaking and bookbinding techniques. The instructor will demonstrate how to construct an accordion book from pieces of paper, and will teaching how to use rubbing and stencil techniques for printing the content of the book. Students may also use other art forms, such as drawing, painting, or collage.\u003c\/p\u003e\r\n\u003cp\u003eBy the end of this course, students will reflect on what they created, and will continue their content of the book on their own!\u003c\/p\u003e\r\n\u003cp\u003eThere are a total of 12 spots open in this small-group workshop. \u003cstrong\u003ePlease be advised that registration fees cover both child and parent participation. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003eRequired Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBlank and\/or color paper\u003c\/li\u003e\r\n\u003cli\u003ePVA + trays\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eBonefolder\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eCutter surface\u003c\/li\u003e\r\n\u003cli\u003eBrushes and brayer\u003c\/li\u003e\r\n\u003cli\u003eScissors or exacto knife\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eCrayons, paint or ink\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eWax paper\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eLegos\u003c\/li\u003e\r\n\u003cli\u003eCoins\u003c\/li\u003e\r\n\u003cli\u003eLeaves\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003ePokémon cards\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eAny other toy or house found object with a texture\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Maria Veronica San Martín\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/maria-veronica-san-martin\"\u003eMaria Veronica San Martín\u003c\/a\u003e (she\/her) is a multidisciplinary Latin-American artist who has lived in New York since 2010.\u003c\/p\u003e\r\n\u003cp\u003eShe has been a studio artist at the Whitney Museum, ISP (NYC), a scholar at the Center for Book Arts (NYC), and participated in the Art OMI Residency (Ghent, NY). She has also been awarded two NYFA grants and three Chilean grants.\u003c\/p\u003e\r\n\u003cp\u003eSan Martín has taught at the Center for Book Arts (NYC), Penland School of Craft (NC), Universidad de Chile, and Universidad Catolica de Chile and has conducted workshops for Vera List Center, The New School, and Weeksville Heritage Center. She is a member of the Board of Directors for Booklyn, as well as participating as an artist and contributing to their education program.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060058906780,"sku":"C 2023-01-28 IP 2","price":105.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/3c5884f5-Sindayiganza-Photography-Weeksville-for-Mari_CC_81a-Vero_CC_81nica-San-Marti_CC_81n-13-of-29.jpg?v=1751389802"},{"product_id":"letterpress-i-intro-to-press-operation-2023","title":"Letterpress I (Intro to Press Operation) 2023","description":"\u003ch3\u003eThis two-day, in-person workshop takes place at CBA on Saturday and Sunday, January 21 and 22, from 10:00 am – 4:00 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSaturday, January 21, 10:00am – 4:00pm\u003c\/li\u003e\r\n\u003cli\u003eSunday, January 22, 10:00am – 4:00pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on January 13, at 11:59 pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/sarah-nicholls\"\u003eSarah Nicholls.\u003c\/a\u003e Letterpress is one of the oldest forms of printmaking and it is a versatile asset to the book artist in the production of editions, text, images, and more. In this workshop, students will learn the basics of how to set up and print on a Vandercook press, and how to properly clean up and maintain the press for consistent results. Students will learn the essentials of letterpress printing including lockup, packing, inking, registration, impression, paper selection, troubleshooting, and cleanup. This workshop is ideal for artists, aspiring publishers, and anyone who wants to get their hands dirty with a little history and fun. This workshop prepares the student for the next course in CBA’s letterpress learning track, Intro to Typography on Press (Letterpress 2). Class size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e. Required Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePencil and paper for taking notes\u003c\/li\u003e\r\n\u003cli\u003ePlease wear closed-toed shoes and clothes that can get stained or dirty\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Sarah Nicholls\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/sarah-nicholls\"\u003eSarah Nicholls\u003c\/a\u003e is an artist, printmaker, and writer whose work combines language, image, visual narrative, and time. Her ongoing projects on climate change, urban ecology, and the history of science and technology include a series of letterpress pamphlets as well as participatory programs like guided urban\/nature walks. Nicholls’ limited edition artist’s books are in the collections of the Victoria \u0026amp; Albert Museum, the Brooklyn Museum, Columbia University, and Stanford, among others.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060058874012,"sku":"C 2023-01-22 IP 12","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/aa0acd27-IMG_9555_small_9658c01a-d404-42e4-ac11-148fc706ff38.jpg?v=1751389787"},{"product_id":"acrylic-marbling-2023","title":"Acrylic Marbling 2023","description":"\u003ch3\u003eThis one-day, in-person workshop takes place at CBA on Saturday, March 11, from 11:00 am – 5:00 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSaturday, March 11, 11:00am – 5:00pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on March 2, at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/sheryl-oppenheim\"\u003eSheryl Oppenheim.\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003eStudents will learn about materials and prep for size-based marbling, see examples of marbled papers, and spend most of the class working in their own tray to develop skills for marbling paper. The class will cover basic techniques and how to create the two main types of patterns (stoned patterns and combed patterns).\u003c\/p\u003e\r\n\u003cp\u003eThis workshop is called “Acrylic Marbling” to differentiate it from Turkish (ebru) marbling and traditional European marbling, which use water-based paints. Marbling originated around 1500, with some of the earliest examples found in Qurans and other Islamic religious texts from Persia. This class uses acrylic paint, a modern material, to reproduce traditional marbling patterns while embracing the potential for experimentation and playfulness.\u003c\/p\u003e\r\n\u003cp\u003eWe will learn about the history of marbling and discuss traditional recipes and techniques. Students will learn how to prepare all materials and mix paint. Most of the class will be hands-on worktime, and each student will have their own tray to work in. As the day progresses, we will learn new techniques and patterns.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e. Required Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNo requires materials for this course\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Sheryl Oppenheim\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/sheryl-oppenheim\"\u003eSheryl Oppenheim\u003c\/a\u003e was born in 1983 and raised in Orlando, Florida.\u003c\/p\u003e\r\n\u003cp\u003eShe is a painter, paper marbler, and maker of illegible books, an idea she first became interested in after seeing the work of Bruno Munari, and through her proximity to books, bookbinders, and marbled paper at her first job in New York, at a bookbinding supply house.\u003c\/p\u003e\r\n\u003cp\u003eShe began marbling paper in 2011 and began learning Suminagashi in 2016. Her artist books and prints are included in public collections including the Metropolitan Museum of Art’s Watson Library, the Museum of Modern Art, the Walker Art Center, the New York Public Library, the Brooklyn Museum, and the National Museum of Women in the Arts.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060058841244,"sku":"C 2023-03-11 IP 6","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/b5c41f1d-Parsons-30_01_04_SOppenheim_Feb21_059.jpg?v=1751389811"},{"product_id":"bells-and-whistles-5-simple-techniques-2023","title":"Bells and Whistles: 5 Simple Techniques 2023","description":"\u003ch3\u003eThis one-day, in-person workshop takes place at CBA on Saturday, February 18, from 10:00 am to 4:00 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSaturday, February 18, 10:00am–4:00pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on February 11, at 11:59 pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/jennifer-verbit\"\u003eJennifer Verbit.\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn this workshop we will learn 5 simple techniques-- pop-up, pamphlet, zig zag accordion, and a paint transfer technique. Then learn how to put it all together; plus how to add even more decorative details to your book. The class will be set up as follows, the first half of the day we will learn and play with the individual techniques, then after lunch we will bring all of our new skills together to create a large Zig Zag Accordion that will have all the \"Bells and Whistles.\"\u003c\/p\u003e\r\n\u003cp\u003eThis class is a day to relax and play with paper, the smallest things can leave you inspired. See you there!\u003c\/p\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e. Required Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePrevious artwork or any other materials from home that you may want to incorporate in your work\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Jennifer Verbit\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/jennifer-verbit\"\u003eJennifer Verbit\u003c\/a\u003e is an NYC native. She attended Alfred University, in Western NY, where she studied painting and printmaking and graduated with a BFA. Following college, Verbit discovered the art of bookmaking, and she has been studying bookbinding for over fifteen years at Center for Book Arts.  \u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060059070620,"sku":"C 2023-02-18 IP 6","price":185.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/1cb1c15d-unnamed-scaled.jpg?v=1751389796"},{"product_id":"cmyk-photopolymer-printing-summer-2023","title":"CMYK Photopolymer Printing Summer 2023","description":"\u003ch3\u003eThis five-day, hybrid in-person\/remote workshop takes place at CBA and on Zoom on Wednesdays, May 24, 31, June 7, June 14 and June 21 from 6-9pm\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWednesday, May 24, 6:00 pm–9:00 pm (Remote)\u003c\/li\u003e\r\n\u003cli\u003eWednesday, May 31, 6:00 pm–9:00 pm (in-person)\u003c\/li\u003e\r\n\u003cli\u003eWednesday, June 7, 6:00pm–9:00pm (in-person)\u003c\/li\u003e\r\n\u003cli\u003eWednesday, June 14, 6:00pm–9:00pm (in-person)\u003c\/li\u003e\r\n\u003cli\u003eWednesday, June 21, 6:00pm–9:00pm (in-person)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on May 17, at 11:59 pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eIn this five-session hybrid virtual and in-person class with Instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/elizabeth-castaldo\"\u003eElizabeth Castaldo\u003c\/a\u003e, students with some letterpress experience will learn the steps for making full color, photographic prints on a letterpress using the CMYK photopolymer plate technique.\u003c\/p\u003e\r\n\u003cp\u003eIn the first session of the class on Zoom, Castaldo will teach students about color separation, how to work on prepping images in photoshop, and the proper settings for both ordering plates and for in-studio output.\u003c\/p\u003e\r\n\u003cp\u003eThen in the remaining classes in CBA’s studios, students will learn how to properly mix ink for CMYK printing as well as learn the proper registration techniques for printing photographic images on letterpress.\u003c\/p\u003e\r\n\u003cp\u003eClass size is limited to ensure an optimal student-to-teacher ratio. Register now before the remaining spots fill up!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e. Required Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ea color photograph\u003c\/li\u003e\r\n\u003cli\u003eaccess to a computer with photoshop or other photo editing software (students can download a free trial of photoshop from the adobe website)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Elizabeth Castaldo\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/elizabeth-castaldo\"\u003eElizabeth Castaldo\u003c\/a\u003e is a New York based artist, printmaker, and bookbinder. Working with collage, drawing, and printmaking she creates works on paper and artist’s books that explore nature and the divine feminine.\u003c\/p\u003e\r\n\u003cp\u003eShe has completed residencies at Arquetopia in Oaxaca Mexico, the Center for Book Arts, NYC and Printmaker’s Open Forum, Oxford PA. Castaldo received her MFA from SCAD Atlanta where she was a Dean’s Fellow in Printmaking and her BFA from the School of Visual Arts. Her work has been exhibited nationally including with the Zuckerman Museum of Art, Center for Book Arts, Saint Joseph’s College, Oklahoma City University, Landing Contemporary, Empty Set Gallery, and the Metropolitan Museum of Art.\u003c\/p\u003e\r\n\u003cp\u003eShe teaches printmaking and book arts at Parsons School of Design and the Center for Book Arts. Her work is held in many private and institutional collections including SCAD, The University of Alberta, Carnegie Melon University, Yale University and the Metropolitan Museum of Art.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060059103388,"sku":"C 2023-06-21 IP 15","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/9dc0c05b-Fade_away_and_radiate_lowres.jpg?v=1751389743"},{"product_id":"indigo-dyeing-workshop-2023","title":"Indigo Dyeing Workshop 2023","description":"\u003ch3\u003eThis one-day, in-person workshop takes place at CBA on Saturday, March 4, from 1:00 pm – 4:00 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSaturday, March 4, 1:00pm–4:00pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on February 27, at 11:59 pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/rhonda-khalifeh\"\u003eRhonda Khalifeh.\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003eIndigotin, or indigo, is a natural pigment sourced from indigofera plants to create a range of blue dyes. Indigofera plants have a history of cultivation on nearly every continent dating back thousands of years. Prior to the discovery of synthetic blue and chemical dyes in the 19th century, indigo was the only viable source available for creating a lasting blue color.\u003c\/p\u003e\r\n\u003cp\u003eIn this afternoon workshop students will be introduced to all things indigo—the pigment, its history, and contemporary dye vat preparation. Together, we’ll create a fruit sugar indigo vat, covering the process step-by-step. Using the vat, students will hand-dye their own 22” square cotton scarf. Material safety, fiber preparation, and vat maintenance will also be covered. Students are welcome to bring small handmade papers or light colored fabric for further experimentation.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eAll staff, artists, students, and guests are \u003ca href=\"http:\/\/centerforbookarts.org\/resources\/social-justice\"\u003erequired to show proof of vaccination\u003c\/a\u003e upon entering CBA and must wear a mask covering the nose and mouth at all times. If you have a medical or religious exemption, please email \u003ca href=\"mailto:corina@centerforbookarts.org\"\u003ecorina@centerforbookarts.org\u003c\/a\u003e. Required Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNotebook, pen\/pencil\u003c\/li\u003e\r\n\u003cli\u003eOptional: Students are welcome to additional (small) pieces of fabric and paper for further experimentation. Anything other than polyester will dye with indigo. Rag, watercolor, and hand made papers work best.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Rhonda Khalifeh\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/rhonda-khalifeh\"\u003eRhonda Khalifeh\u003c\/a\u003e is a Syrian-American textile artist, dyer, and print designer based in New York.\u003c\/p\u003e\r\n\u003cp\u003eShe received her MFA from the fiber department at Cranbrook Academy of Art in 2017 and has been an artist in residence at the SVA Bio Art Lab, Textile Arts Center, and Center for Book Arts. Rhonda has exhibited her work across the country and is included in the collections of the Met Museum, Center for Book Arts, and New York Public Library.\u003c\/p\u003e\r\n\u003cp\u003eShe published Project Z (2018) and Project Z Book 2 (2022) with Open Projects Press. Today, Rhonda maintains an independent studio practice and is an art director at Everybody Press.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060058972316,"sku":"C 2023-03-04 IP 3","price":105.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/da1492f2-indigosample2_khalifeh_2022-scaled.jpg?v=1751389730"},{"product_id":"linoleum-block-prints-summer-2023","title":"Linoleum Block Prints (Summer 2023)","description":"\u003ch3\u003eThis two-day, in-person workshop takes place at CBA on Saturday and Sunday, April 29 and 30, from 10:00 am–4:00 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSaturday, April 29, 10:00 am–4:00 pm\u003c\/li\u003e\r\n\u003cli\u003eSunday, April 30, 10:00 am–4:00 pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Saturday, April 1, at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor Sarah Nicholls.\u003c\/p\u003e\r\n\u003cp\u003eStudents will get an intro to relief printmaking, including transferring images to your block, carving techniques, markmaking, color mixing and layering, ink choices, registration on press, and editioning tips. We will talk about both reductive and multiple block techniques. This class will be taught in person and we will use the Vandercook proof presses in class, but your lino blocks can also be printed by hand at home.\u003c\/p\u003e\r\n\u003cp\u003eBlock printing is the oldest form of printmaking, and is an enduring way to make bold, graphic illustrations. Linoleum makes this process an affordable and approachable medium. We will talk about transferring images to your block, carving techniques, markmaking, color mixing and layering, registration, and editioning tips. We will talk about both reductive and multiple block techniques. Linoleum is an excellent way to bring images and color into your prints. Students will leave with a small edition of prints, and the skills to work on their own at home. No previous experience required.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eRequired Materials:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003epencil\u003c\/li\u003e\r\n\u003cli\u003espeedball basic carving tool set with blades\u003c\/li\u003e\r\n\u003cli\u003eimage or idea or drawing to be transferred to a block\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Sarah Nicholls\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/sarah-nicholls\"\u003eSarah Nicholls\u003c\/a\u003e is an artist, printmaker, and writer whose work combines language, image, visual narrative, and time.\u003c\/p\u003e\r\n\u003cp\u003eHer ongoing projects on climate change, urban ecology, and the history of science and technology include a series of letterpress pamphlets as well as participatory programs like guided urban\/nature walks.\u003c\/p\u003e\r\n\u003cp\u003eNicholls’ limited edition artist’s books are in the collections of the Victoria \u0026amp; Albert Museum, the Brooklyn Museum, Columbia University, and Stanford, among others.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph \/--\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060060774556,"sku":"C 2023-04-30 IP 12","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/0ee158fc-secondillo_web.jpg?v=1751389381"},{"product_id":"suminagashi-marbling-summer-2023","title":"Suminagashi Marbling (Summer 2023)","description":"\u003ch3\u003eThis one-day, in-person workshop takes place at CBA on Saturday, July 15, from 10:00 am – 4:00 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSaturday, July 15, 10:00 am–4:00 pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on July 8, at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/sheryl-oppenheim\"\u003eSheryl Oppenheim.\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003eSuminagashi (translation: spilled or floating ink) is a style of marbling that originated in Japan by the year 1100. It is the oldest form of marbling and is just done with water and ink! In this class, students will learn a bit about the history of suminagashi marbling and look at examples of work by contemporary and historic practitioners. They will learn about the materials used in suminagashi, how to prepare them, and then spend the rest of the class practicing suminagashi. As the day progresses we will learn new techniques and experiment with using different types of paper.\u003c\/p\u003e\r\n\u003cp\u003eStudents will come away with marbled paper of their own as well as a newfound knowledge of the suminagashi technique.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStudents are not required to bring any materials. \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Sheryl Oppenheim\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/sheryl-oppenheim\"\u003eSheryl Oppenheim\u003c\/a\u003e was born in 1983 and raised in Orlando, Florida.\u003c\/p\u003e\r\n\u003cp\u003eShe is a painter, paper marbler, and maker of illegible books, an idea she first became interested in after seeing the work of Bruno Munari, and through her proximity to books, bookbinders, and marbled paper at her first job in New York, at a bookbinding supply house.\u003c\/p\u003e\r\n\u003cp\u003eShe began marbling paper in 2011 and began learning Suminagashi in 2016. Her artist books and prints are included in public collections including the Metropolitan Museum of Art’s Watson Library, the Museum of Modern Art, the Walker Art Center, the New York Public Library, the Brooklyn Museum, and the National Museum of Women in the Arts.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060060840092,"sku":"C 2023-05-03 V 2","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/07a07c81-2019_sumi_3_1500x2200_web-scaled.jpg?v=1751389344"},{"product_id":"embroidered-books-summer-2023","title":"Embroidered Books (Summer 2023)","description":"\u003ch3\u003eThis two-day, hybrid (in-person or remote) workshop takes place at CBA and on Zoom on Wednesday and Thursday, August 16 and 17 from 6:00 pm – 8:00 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWednesday, August 16, 6:00pm–8:00pm\u003c\/li\u003e\r\n\u003cli\u003eThursday, August 17, 6:00pm-8:00pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on August 9, at 11:59 pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eThis in-person class at Center for Book Arts is taught by instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/iviva-olenick\"\u003eIviva Olenick.\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003eLooking to expand your book making by adding surface texture and structure through embroidery and fabric? This hybrid class will lead you through a comprehensive embroidery sampler to master around a dozen stitches, after which we will explore special tools and materials for making book covers and folios. Students will embark on their own projects using supplies specially prepared in advance by the instructor, with the option of incorporating materials from home.\u003c\/p\u003e\r\n\u003cp\u003eThis is a 2-part \/ 2-session class for Intermediate Students who have either taken Embroidery On \u0026amp; Off the Page or who already know the following embroidery stitches: running stitch, back stitch, chain stitch, French knots.\u003c\/p\u003e\r\n\u003cp\u003eThis class is hybrid. It will be taught at CBA with the option of Zooming in from home. The instructor will manage both sets of students with as much grace and individual attention as possible.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eParticipants are required to purchase \u003ca href=\"http:\/\/centerforbookarts.org\/book-shop\/embroidered-books-materials-kit\"\u003ethe materials kit\u003c\/a\u003e for this workshop.\u003c\/li\u003e\r\n\u003cli\u003eIf students have their own fabrics, buttons, threads, paper, photographs, artwork they would like to experiment with incorporating, you may bring these\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Iviva Olenick\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/iviva-olenick\"\u003eIviva Olenick\u003c\/a\u003e is a Brooklyn-based artist developing textiles from seed to fiber and dye and using textiles as texts.\u003c\/p\u003e\r\n\u003cp\u003eHer work has been exhibited all over the United States, including the Philadelphia Museum of Art; Museum of Design Atlanta; the Hunterdon Museum, NJ; Sugar Hill Children’s Museum of Art \u0026amp; Storytelling, NYC; the Center for Book Arts, NYC; the Old Stone House, Brooklyn; Wyckoff House Museum, Brooklyn.\u003c\/p\u003e\r\n\u003cp\u003eOlenick is a faculty member of SVA’s MFA Art Practice program where she teaches Fibers. In addition, she gives artist talks and designs intensive textile-based workshops for museums and universities.  \u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060060971164,"sku":"C 2023-05-05 IP 4","price":140.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/94c382c0-06_BotanicalBodiesBook.jpg?v=1751389336"},{"product_id":"letterpress-collage-summer-2023","title":"Letterpress Collage (Summer 2023)","description":"\u003ch3\u003eThis two-day, in-person workshop takes place at CBA on Saturday and Sunday, May 6 and 7, from 10:00 am—4:00 pm.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSaturday, May 6, 10:00am—4:00pm\u003c\/li\u003e\r\n\u003cli\u003eSunday, May 7, 10:00am—4:00pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on April 30, at 11:59 pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp\u003eJoin instructor Roni Gross for this opportunity to use letterpress as collage material and play on the letterpress in an experimental way!\u003c\/p\u003e\r\n\u003cp\u003eIn this two day in-person workshop, participants will print with wood type on the first day, making source material that they will share on the second day. Participants will learn how to lock up their wood forms and print with multiple colors and formats. On the second day, they will draw from the pool of prints, abstracting the originals through a series of exercises and collage techniques to generate new relationships.\u003c\/p\u003e\r\n\u003cp\u003eParticipants will enjoy exploring the large collection of wood type at CBA and printing with it as both abstract pattern and readable language. They will experience the qualities of letterpress ink, in terms of overlapping colors and increasing transparency. Sharing their prints as a pool of source material, they will work with the printed work through a variety of exercises which will transform the original work and create unforeseen connections.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials::\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll materials will be provided\u003c\/li\u003e\r\n\u003cli\u003eOn the second collage day, participants are welcome to bring anything that can be glued to a base sheet.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAll other materials will be provided by Center for Book Arts at no additional cost.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout Roni Gross\u003c\/h3\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/roni-gross\"\u003eRoni Gross\u003c\/a\u003e is a book artist whose work is in the collections of The Library of Congress, Harvard, Yale, the Bodleian Library, Manchester University and many other public, private, and international collections. She runs Z’roah Press which produces limited edition sculptural books.\u003c\/p\u003e\r\n\u003cp\u003eGross has been an instructor at Center for Book Arts teaching letterpress technique and much more for a number of years. In 2019 she initiated the Book Talk series that continues to feature a diverse range of artists and scholars.\u003c\/p\u003e\r\n\u003chr\u003e\u003c!-- wp:paragraph \/--\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060060938396,"sku":"C 2023-05-07 IP 12","price":415.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/cea47b67-Gross_Roni-05.jpg?v=1751389320"},{"product_id":"long-stitch-binding-at-home-spring-2023","title":"Long Stitch Binding At Home - Spring 2023","description":"\u003ch3\u003eThis virtual workshop takes place on Zoom on Thursdays, May 18 and 25, from 6pm–8pm ET.\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThursday, May 18, 6-8pm\u003c\/li\u003e\r\n\u003cli\u003eThursday, March 25, 6-8pm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlease Note: Registration for this workshop closes on Thursday, May 11 at 11:59pm.\u003c\/h3\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\n\u003cp class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003eIn this two-session virtual workshop with CBA instructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/scott-mccarney\"\u003eScott McCarney\u003c\/a\u003e, participants will learn how to create a book using the long stitch binding technique two different ways. This binding technique is versatile and can be applied to multiple materials, making it an excellent option for any book project.\u003c\/p\u003e\r\n\u003cp class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003eLong stitch bindings are non-adhesive and require no paste or glue. They are relatively easy and quick to sew, adaptable to small edition binding. The finished books can lay flat, making them suitable for sketchbooks and journals. The sewing technique is centuries-old, originating in medieval Germany, and historically can be found on limp parchment bindings (though we will be sewing sections onto reinforced paper covers).\u003c\/p\u003e\r\n\u003cp class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003eOn the first session, we will learn how to tailor a reinforced paper cover to a stack of folded sections, prepare sewing stations in the cover and sections, and sew a basic long stitch that creates an alternating pattern of thread along the spine. The second session we will learn a variation on the basic long stitch where the threads are parallel across the spine. Some exterior sewn thread reinforcements will be introduced that reinforce the spine and can be quite decorative.\u003c\/p\u003e\r\n\u003cdiv class=\"structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cp\u003eSupplies:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003ePaper awl\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003ePaper knife (a table knife will work)\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eBonefolder\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eX-acto or matt knife\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eStraightedge\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eCutting mat\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eNeedles and thread\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eScissors\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003esquare\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eGlue stick\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eText weight paper (48 sheets of 8.5 x 11 inch copy paper)\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cdiv\u003eCover weight paper (2 pieces, 5.5 inches x 12 to 14 inches; 2 pieces, 5.5 x 9 inches)\u003c\/div\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePrerequisites:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSome binding experience is helpful but not necessary.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/centerforbookarts.org\/people\/scott-mccarney\"\u003eScott McCarney\u003c\/a\u003e is an artist, designer, and educator based in Rochester, New York.\u003c\/p\u003e\r\n\u003cp\u003eHis primary art practice has been in book form since 1980 and spans many media, from offset and digital printing to sculptural and site-specific installation.\u003c\/p\u003e\r\n\u003cp\u003eHis bookworks can be found in the collections of the Museum of Modern Art, New York; Victoria \u0026amp; Albert Museum, London; and Yale University Art Gallery, among others. His work is shown internationally (Sao Paulo, Brazil; Melbourne, Australia; Baku, Azerbaijan) as well as closer to home (Hallwalls, Buffalo NY; Everson Museum, Syracuse NY; Memorial Art Gallery, Rochester NY).\u003c\/p\u003e\r\n\u003cp\u003eHis teaching and lecturing itinerary is varied and eclectic, carrying the banner of artist’s books to Australia, New Zealand, Korea, Mexico, and South America.\u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"https:\/\/scottmccarney.cargo.site\"\u003eLearn More\u003c\/a\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"mceTemp\"\u003e \u003c\/div\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003c!-- wp:paragraph \/--\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAll images courtesy of the instructor. \u003c\/em\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060061003932,"sku":"C 2023-05-25 V 4","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/6f9296c0-long-stitch.jpg?v=1751389310"},{"product_id":"pochoir-printing-summer-2023","title":"Pochoir Printing Summer 2023","description":"\u003ch3\u003eThis virtual workshop takes place via Zoom on Monday, May 22 from 6–8pm ET:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003eMonday, May 22, 6–8pm ET\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Workshop:\u003c\/h3\u003e\r\nInstructor \u003ca href=\"http:\/\/centerforbookarts.org\/people\/beth-sheehan\"\u003eBeth Sheehan\u003c\/a\u003e leads this virtual workshop for all experience levels on pochoir printing. Pochoir is a stenciling technique that is versatile and can be done with so many materials. Sheehan will guide students through creating reusable, registered stencils out of flexible materials like Mylar—which can be used to print on a wide variety of surfaces. Sheehan will also cover the basics of color theory, empowering participants to mix and blend colors as well as create gradients. Over the course of the workshop, participants will learn to layer their stencils to produce an image of their own choosing.\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eRequired Materials:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n \t\u003cli\u003e3-10 sheets of paper of your choosing to print on\u003c\/li\u003e\r\n \t\u003cli\u003e3-5 sheets of stencil material (Mylar is recommended, but most paper works well also)\u003c\/li\u003e\r\n \t\u003cli\u003eSponge brushes or make-up wedges\u003c\/li\u003e\r\n \t\u003cli\u003ePaint or ink (acrylic paint or water-based relief inks are the best choices)\u003c\/li\u003e\r\n \t\u003cli\u003ePencil\u003c\/li\u003e\r\n \t\u003cli\u003eSharpie or permanent marker\u003c\/li\u003e\r\n \t\u003cli\u003eImages or drawings for stencil-making\u003c\/li\u003e\r\n \t\u003cli\u003eTape (painters tape or masking tape are preferred)\u003c\/li\u003e\r\n \t\u003cli\u003eX-acto, Olfa knife, or scalpel\u003c\/li\u003e\r\n \t\u003cli\u003eCutting mat\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003chr\u003e\r\n\r\n\u003ch3\u003eAbout the Instructor\u003c\/h3\u003e\r\n\u003ca href=\"http:\/\/centerforbookarts.org\/people\/beth-sheehan\"\u003eElizabeth (Beth) Sheehan\u003c\/a\u003e is a printmaker, papermaking, and book artist living in Tuscaloosa, Alabama. Her work investigates ideas of memory and perception to explore her own lack of episodic memory. Her work has been exhibited internationally and is held in public collections including the Metropolitan Museum of Art, The Center for Book Arts, and the San Francisco Public Library. Sheehan has worked as a professional printer at Durham Press in Pennsylvania and at Harlan and Weaver in New York. She was also the Lead Binder and Bindery Manager at Small Editions in Brooklyn and teaches paper, print, and book workshops around the country.\r\n\r\n\u003chr\u003e\r\n\r\n\u003cem\u003eAll images courtesy of the instructor.\u003c\/em\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":45060060807324,"sku":"C 2023-05-22 V 2","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/7506c823-Pochoir-scaled.jpg?v=1751389297"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/collections\/Screen_Shot_2019-11-20_at_2.26.56_PM.png?v=1574278144","url":"https:\/\/shop.centerforbookarts.org\/collections\/all-classes-shopify\/typography.oembed","provider":"Center for Book Arts","version":"1.0","type":"link"}