{"product_id":"26fri150i","title":"Riso II: Analog and Digital Workflows for Multipage Zines","description":"\u003ch4 dir=\"ltr\"\u003e\u003cspan\u003eCourse Code: \u003cmeta charset=\"utf-8\"\u003e26FRI150I\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThis four week\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003ein-person\u003c\/span\u003e\u003cspan\u003e workshop takes place \u003c\/span\u003e\u003cspan\u003eat CBA \u003c\/span\u003e\u003cspan\u003eon \u003cspan\u003eThursdays, November 19th - December 17th, from 6PM to 9PM ET (skipping 11\/26 for Thanksgiving)\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eThursday, November 19th, from 6PM to 9PM ET\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThursday, December 3rd, from 6PM to 9PM ET\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThursday, December 10th, from 6PM to 9PM ET\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThursday, December 17th, from 6PM to 9PM ET\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cspan\u003ePlease Note: Registration for this workshop closes on November 5\u003c\/span\u003e\u003cspan\u003e at 11:59 pm.\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003chr\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eAbout the Workshop:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTransform your Risograph skills from single prints to sequential storytelling. This intermediate workshop bridges printmaking and publishing, closing the gap between the screen and the press.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe course is built around two core skills: imposition and digital file preparation. You'll begin by folding, mapping, and sequencing pages by hand, so that the logic of multipage structure becomes physical and intuitive before it becomes digital. From there, you'll learn to translate that understanding into file preparation: separating artwork for Riso output, setting up channels and overprints, and executing the full print workflow from digital file to press. By the end of the weekend, you'll have moved through the complete production pipeline, and the decisions you make on screen will make sense because you've already made them with your hands.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWorking collaboratively, you'll design, print, and bind complete eight-page zines, developing the problem-solving instincts that come from understanding every stage of the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis course is the prerequisite for Riso III: Experimental Color and Image Making, where students explore color separation, layering, and Riso's distinctive aesthetic possibilities. Students wishing to advance to Riso III should begin here.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003cb id=\"docs-internal-guid-772016c1-7fff-0161-47a4-8cfc48672b28\"\u003e\u003c\/b\u003eFun Fact: Risograph printing is favored by artists due to its ability to create interesting dynamics from the machine’s spot colors, the overprints, and the relationships between colors.\u003c\/em\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eRequired Materials:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003ePencil and paper for taking notes\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eStudents are encouraged to bring media such as watercolor, drawing pencils, photographs, collage, etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAll other materials will be provided by the Center for Book Arts at no additional cost.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003eAbout the Instructor\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/centerforbookarts.org\/people\/becca-josephson\"\u003eBecca\u003c\/a\u003e is a Brooklyn based artist, printmaker, and bookbinder working around the form of the book. She often works with the risograph, letterpress, the manipulation of papercuts, and creating installation experiences for artist books. Becca teaches book art at various levels among other freelancing, commissions, book conservation and installation work. Becca completed a residency at InCahoots (Petaluma, CA) and has shown work at San Francisco Center for the Book, UC Berkeley, Mills College, and the Zuckerman Museum of Art. She received an MFA in Book Arts from Mills College and a BA from James Madison University. Becca’s work can be found in collection at Columbia University, VCU, and the UC Berkeley Environmental Design Library, among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAll images courtesy of the instructor unless otherwise noted.\u003c\/span\u003e\u003c\/p\u003e","brand":"Center for Book Arts","offers":[{"title":"Default Title","offer_id":47080895479964,"sku":"26FRI150I","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3861\/files\/522cd3be-IMG_0292.jpg?v=1751388371","url":"https:\/\/shop.centerforbookarts.org\/products\/26fri150i","provider":"Center for Book Arts","version":"1.0","type":"link"}